

A blind musician hears a murder committed in the apartment upstairs from hers that sends her down a dark path into London's gritty criminal underworld.
Director: Anthony Byrne
Writers: Anthony Byrne, Natalie Dormer
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Gimly
Gets quite artistic there at the end, but overall still very underwhelming. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._...

In a dystopian society where people are fully emotionally dependent on music, Paul, having broken his listening devices, tries to find his own sound.

When police are puzzled by several horrific murders, they assume they have a serial killer on their hands. But soon they realise that the unimaginable has happened. A killing machine from another world has arrived on Earth determined to brutally execute human beings. Finding themselves out of their depth they are forced to rely on a mysterious alien hunter that has volunteered his help.

A caretaker suspects one of her patients with dementia may have committed a murder in the past.

A retired lady judge runs a private detective agency with a charming ex-con as her leg man and various parolees helping in the day-to-day operation.

Hart and Moore are grave-robbers who provide cadavers to the medical students of 19th-century Edinburgh. When the supply becomes low and demand still great, the two decide to create their own supply, a plan that proves profitable when they stick to vagrants, prostitutes and drunkards. But when they poison likable Jamie, the townsfolk retaliate. NB: This film was originally written to be about Burke and Hare, but after it was completed, the British censors refused to allow its release on the grounds those names themselves were offensive; thus the entire soundtrack was recut so that new names - Hart and Moore - recorded by the film's actors, were cut into the previously recorded lines, replacing the offending "Burke" or "Hare", sentence by sentence.
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