Jan Bijvoet

November 1943, German-occupied Belgium. In the face of grave danger if caught, the Independent Front, a Belgian resistance organization, publishes a spoof edition of Le Soir to satirize the German occupiers and the nation’s main propaganda-controlled newspaper. Le Faux Soir is considered the first act of media hacking in history.

A harrowing tale of devotion, damnation and the devil within.

When Belgian tech visionaries Luc and Geert learn that their fraud will hit the papers in less than 24 hours, they realise their company and their status will evaporate. With jail time becoming inevitable, they each go on their separate paths of redemption. As they quietly seek atonement from their investors – their families and the close-knit community, they learn what truly matters.

Miles, a particularly playful spirit, lures his friend Solta on a journey from Berlin to Friuli, Picardy and Venice, through his life, through the minefields of identity politics, and through the black hole of our oblivion as to what the world could be. Ultimately, he returns to Ireland, the land of his childhood, where he played marbles during the raw identity war of the troubles. Solta tries to track him down, to figure him out, to picture him. Miles, however, marbles in his pockets, infinity in his fingers, constantly eludes him.

Convinced that ancient pottery may hold traces of recorded sound, archaeologist Sofia travels to a remote Greek island to test her theory with Potter, an eccentric artist who doubts her idea.

At a desolate golf club, three people become entangled in their drive for control and perfection. When their paths cross, an unexpected opportunity for change arises.

After forty years of radio silence, Sol meets his old friend Dicky to clear an incident from the past. Time is precious, as Dicky's death is scheduled for tomorrow.

When Russian workers in Bernie’s house turn out to be wanted criminals, Bernie has to man up and save his ’90s sitcom family.

In the splendidly decorated barbaric world of Antwerp, an ordinary lonely Lucien has an inhuman capability to stick metal objects to his body. An introverted Buster Keaton-like man of a few words is a hapless artist, clown, freak, and musician with a wounded heart and a quiet violin. His vocation is to entertain the common people despite his burning pain and guilt for the inevitable loss of an estranged father.

An algorithmologist begins to question his beliefs when a woman shows up to his office uninterested in altering her discontent.