
Joely Kim Richardson (born 9 January 1965) is an English actress, most known recently for her role as Queen Catherine Parr in the Showtime television show The Tudors and Julia McNamara in the television drama Nip/Tuck. She also appeared in films such as 101 Dalmatians (1996), Event Horizon (1997), The Patriot (2000) and the upcoming film adaptation, The Girl with the Dragon Tattoo (2011). Descrip...
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When Mary finds herself at the center of a public scandal and the family faces financial strife, the entire household grapples with the threat of social disgrace. The Crawleys must embrace change as the staff prepares for a new chapter with the next generation leading Downton Abbey into the future.

During a stormy night in the Scottish Highlands, two criminal brothers on the run seek refuge in a desolate farmhouse. But after taking the resident family captive, they find the house holds even darker secrets of its own.

After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her physical desires. With her husband's consent, she seeks out other means of fulfilling her needs.

Inspired by the classic tale of Peter Pan, The Lost Girls chronicles four generations of Darling women as they struggle in the aftermath of their adventures with Peter Pan in Neverland. Like her grandmother and her mother Jane before her, Wendy must escape Pan’s hold on her and the promise he desperately wants her to keep. As her daughter Berry comes into Peter’s orbit, Wendy must fight to save her relationship with her daughter while reconciling her legacy.

Second unit director Jonas Govaerts interviews Stanley, principle cast, and the producers about the making of the film. Wonderfully structured, “Hot Pink Horror” takes the audience through why this story was selected, how Stanley became director, how Cage became involved, why they shot the film in Sintra, Portugal, and much more. Even though 20 minutes doesn’t seem like much, Govaerts packs such a great deal of details on production, both creative and technical, that it’s almost a bit like a mini film school. If you really dug Color Out of Space, this is the piece to dive into and enjoy.

The Gardner family moves to a remote farmstead in rural New England to escape the hustle of the 21st century. They are busy adapting to their new life when a meteorite crashes into their front yard, melts into the earth, and infects both the land and the properties of space-time with a strange, otherworldly colour. To their horror, the family discovers this alien force is gradually mutating every life form that it touches—including them.

A young woman quits her teaching job to become a private tutor and governess for two wealthy young kids, but soon starts to suspect there’s more to their house than meets the eye.

It’s Christmas and the charming city of York, home to Jules, 16 and her Dad, David is decked out ready for the festive season. In many ways, David and Jules’ relationship is no different from that of most fathers and their sixteen-year-old daughters. He struggles to understand her, she refuses to communicate with him. He wants to be involved in her life, she wants her own space. In one important respect, however, David and Jules share a profound bond: the death of Jules’ mum, and David’s wife, in a car crash two years before. With both struggling to cope with everyday life in the shadow of their loss, Jules, inspired by happy memories of her mum, decides to take matters into her own hands.

With the new craze for stolen-on-demand requests at its height, Bonny turns her professional eye to a stakeout for the latest batch being delivered. But when Billy, an uninvited work acquaintance appears, it's a battle of perseverance as they await the news at sunrise.

A young writer tries to obtain romance letters a poet sent to his mistress.
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