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The Louvre and the Forbidden City are two representative symbols of Eastern and Western civilizations. This film uses these two museums as carriers, cuts through the perspective of local audiences, emphasizes the parallel and coexistence of civilizations, and integrates the understanding of different civilizations. It is reflected in the display and appreciation of artworks, and reflects the museum’s responsibility for the sharing and promotion of human civilization.

Fired for insubordination, PJ Antoine Verlay, good cop but a blood strand and having difficulty working as a team, is attached to the OCBC (Central Office for the fight against Traffic in Cultural Goods) thanks to the intervention of the commander Pardo, his friend who becomes, therefore, his new superior. A clever investigator, but a stranger to everything related to culture, Antoine will have to work with Florence Chassagne, renowned art historian, who lives, speaks and breathes culture, to the point that - fruit of her great imagination - it happens to her in the midst of daydreams, to see and talk to the great artists who have disappeared as if they were familiar to her.

Hafsa, a talented art restorer newly hired at the Louvre, comes face to face with a millennia-old Mesopotamian mask representing the storm god Baal Phegor, known to the uninitiated as Belphegor. Soon entangled in a series of inexplicable disappearances, with no memory of her involvement, she finds herself in a race against time at the heart of the world's greatest museum. Hafsa must fight both her pursuers and her own demons to uncover the truth and understand the powerful bond that ties her to Belphegor.

Four episodes chronicle a mysterious phantom who appears in the Musée du Louvre in Paris at night. Neither guards nor police are able to make an arrest. But a curious young man tries to break the ice and discover what drives the creature and its activities.

A miniseries in three parts about the theft of Da Vinci's "Mona Lisa" in 1911.

The incredible metamorphosis, over eight centuries, of a feudal fortress into the largest museum in the world: the Louvre. A chaotic existence: construction and destruction, revolution and restoration. Feudal fortress, medieval castle, Renaissance palace, royal residence, seat of the academies, center of revolutionary power, first museum of France: the Louvre has been constantly transformed, enlarged, magnified.