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Hey, Landlord is an American sitcom appearing on NBC during the 1966-1967 season, sponsored by Procter & Gamble in the 8:30-9pm Eastern time period on Sunday nights. It is notable for its casting director Fred Roos, who later became a producer for Francis Ford Coppola. Roos discovered counterculture sketch group The Committee in San Francisco and cast all members in bit parts in Hey, Landlord.

Maeda-san is living alone in rented accommodations for the first time after finding employment. In his tiny, no-bath apartment he is visited by Chie Satonaka, who looks like the little sister he never had, but turns out to be the landlord of this apartment building. Chie's high degree of competence when it comes to cooking and housework, sometimes makes her appear very much older than the middle school girl she actually is. Maeda-san's other neighbour, Reiko Shirai, quite jealously tries to guard the cute landlord for herself though. And so Maeda-san's otherwise uneventful life, supposedly living alone, suddenly becomes quite lively...

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An elderly lady who is the protagonist's landlord lives on the first floor, and the protagonist Tarō Yabe, a good-for-nothing comedian, live on the second floor. Her way of greeting is always "Gokigenyo", General MacArthur is her type, she’s never had a beef bowl or a hamburger before and she mistakes Tarō for an actor… It’s all about a "strange life together" of a 39-year-old Tarō Yabe and a 87-year-old "landlord". It’s humorous and heartwarming daily interactions between two people living in a corner of the big city, Tokyo.

In this TV show, two young men with vastly different personalities, educational and cultural backgrounds, and ideologies, live in the same old building, leading to conflicts. Zhang Shaonan is a university student wanting to move out of his dormitory after arguing with his supervisor. He switches to a unit owned by his aunt, but it has been occupied by Ah Long, a triad member, who pays only a minimal rent. Shaonan is often annoyed by Ah Long's lifestyle and tries various methods to make him move out, leading to a battle of wits. However, during this process, an unexpected bond forms, bringing complexity and interesting plot developments as they try to enter each other's life circle.

Much to his annoyance Romesh is left running the local pub after his mischievous father left it to him in his will. He has never wanted to be a landlord, but his mum feels it is the only way to keep his dad's legacy alive, and his wife and kids are having a ball there.

What happens when conflicts between landlords and tenants get out of control? This series delves into the dark side of the UK's housing crisis. It follows independent eviction specialists working on behalf of landlords attempting to evict tenants who are behind with their rent, and local authority housing officers investigating rogue landlords and unsafe living conditions, including illegal HMOs (House in Multiple Occupation).

Following eviction specialists as they attempt to remove nightmare tenants from buildings and the elite council teams as they seek put rogue landlords who are providing unsuitable living conditions.

The Week the Landlords Moved In, is a series challenging successful landlords to spend an eye-opening week living in one of their own rentals, on their tenant's budget, to see life through their tenant's eyes.

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A sitcom about three divorced men sharing an apartment across the hall from their female divorce attorney, who is also their landlord.

Seven British construction workers escape Britain's ever growing dole queues and travel to Germany to work on a site in Dusseldorf. We follow their trials and tribulations of working away from home and away from the women they left behind.

Christopher Jefferies's life is turned inside out when one of his tenants disappears without a trace just before Christmas.

Al Murray's Happy Hour was a chat show presented by comedian Al Murray and produced by Avalon TV. The first series aired in early 2007. It is broadcast on the British terrestrial TV network, ITV, and the first series was broadcast on Saturday nights at 10pm. The second series aired on Fridays at 10pm. A third series returned to ITV on 12 September 2008, in the same 10pm Friday night slot. However, UTV in Northern Ireland did not show the third series in the 10pm Friday night slot with the other ITV regions. They now show it the following Thursday at around 11.40pm, due to UTV regional programming on Friday nights. Murray presents the programme in his Pub Landlord persona: a stereotypically nationalistic, chauvinistic character. The show contains stand-up, guest interviews and live music. The show ends with Murray performing a Queen song with the musical guest.

When Ho-jun receives an ultimatum to move out and become a successful team leader, he must rent from feisty Jae-yoon, who owns a villa. But when a twist of fate transfers Jae-yoon to Ho-jun's team, he becomes his unwilling employee.

Wu Yi is a little boy who has lost his parents but lives a warm and happy life with his aunt, Wu Jiaojiao, who runs a martial arts hall. His uncle, domineering president Qi Mo, wants his father to meet his only grandson and so he begins a custody battle with Wu Jiaojiao, who is a passionate young woman that will not give up easily.

The Pub Landlord’s rules are a pint for the fella and a glass of white wine or fruit based drink for the lady. It might be the 21st century but the landlord’s gaff is the last bastion of all things normal. He ain’t interested in change. It’s just the way things are, and don’t you or anybody else go questioning it.

Sitcom about flatmates Josh, Kate and Owen, and their annoying landlord Geoff.

6 people live together in Xian's apartment, and romantic feelings begin to grow under the eaves...

After graduation, Diao moves in with his sister—but his new tenant, Rak, also becomes his demanding boss, leading to a chaotic clash at home and work.

Relationships are tested and secrets are revealed in this series following the lives, lies, and romantic entanglements of a group of friends.

Owning an apartment building has advantages, but getting rid of undesirable tenants can be a real nightmare. These hostage landlords share their stories and their dismay. From these dramatic reconstitutions, this series shows the issues created by these problem tenants, the costs associated with repairing the damage and the almost non-existent recourse.

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