

The story revolves around a North Indian taxi driver, Narsingh, who attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business. Preserved by the Academy Film Archive in 2001.
Director: Satyajit Ray
Writers: Satyajit Ray
Rex Dy
I saw this somewhat slow, B&W 1962 film at London's National Film Theatre a couple of years ago, during their excellent Satyajit Ray retrospective. It displays the qualities which most Ray fans like a...

The film is about the life story of Fatma, a poor girl who lost her family in an accident, when she comes to Istanbul. Fatma comes to Istanbul from Tehran after the death of her family. His goal is to find his uncle here and inherit his father's inheritance from him. Although Fatma finds her uncle, she cannot inherit her father and is forced to work as a maid in this house. His uncle's son Ali and Fatma fall in love with each other and decide to get married. Ali's family sends him to their factory in Iran to prevent this marriage. He also kicks Fatma out of the house.

A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.

Mixing narrative and documentary, the film retells a 16 year old girl's experience of a date rape.

Penny works at a supermarket and Phil is a gentle taxi-driver. Penny’s love for Phil has run dry and they lead joyless lives with their two children, Rachel, a cleaner, and Rory, who is unemployed and aggressive.

Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.
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