
Gyanesh Mukherjee was a Bengali actor, director, and theater personality. He was involved with the Indian People's Theatre Association (IPTA). In his film career, Mukherjee worked with famous directors like Ritwik Ghatak, Mrinal Sen, and Tapan Sinha. From the late 1950s to the 1970s, he played a prolific role in cinema and theatre.
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A poor Muslim man's horse.

A gullible man faces strange situations on his quest fo find an elephant in order to keep a promise he made with a little girl.

The film narrates the life of a little boy and his ostracized mother who is isolated from him as she is believed to be a witch in the village she lives in. It is based on a Bengali short story named Baen written by the renowned Indian author Mahasweta Devi.

Gandharva Kumar's arrival disrupts the festival mood of Durga Puja at Ratanlal Babu's house. He captivates the grandchildren of Ratanlal — Babu, Habul, and Tinni — with his magic tricks. Gandharva Kumar then reveals a long-forgotten secret wherein he claims to be heir to the family property of Ratanlal Babu. This creates shock in the entire family and casts gloom, resulting in dramatic incidents.

Ravi, a wealthy model, leaves his father's business after unsatisfactory modeling work and returns to his parents' home to join struggle students and revolutionary Manohar.

Haji and Rupchand are amongst those who oppress the poor sharecroppers of Asmanpur. Eventually, Jagra and Nitai raise their voices against them but are incessantly harassed.

A Bengali film about the revenge of a man who is arrested after a false accusation, causing his father to go insane.

A British administrator with a flair for game hunting develops a friendship with a commoner who is an expert archer in an Indian village. The movie portrays the relationship between the British colonialists, and native villagers who were exploited by Indian landlords in 1920s India. This happens against the backdrop of the awakening of the Indian people against the British rule.

Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This is considered to be Ghatak's autobiographical film.

Hiru Ganguly is unable to marry Kumudini, his lover, after her father rejects his marriage proposal. Years later, although married to another woman, he once again desires to win her back. As old feelings are rekindled, will they take any steps to go against the social customs?
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