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Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests, "Has a little child ever changed your life?" Oliver gets answers from two slow-talking musicians, an actress whose roles usually feature a sarong, and an itinerant cardsharp. In each case the "little child" is hardly innocent: in the first, a local auto mechanic's "baby" turns out to be fully developed as a woman and a musician; in the second, a spoiled child star learns kindness; in the third, the family of a lost brat doesn't want him returned. And Oliver, what becomes of him?
Director: Leslie Fenton, King Vidor
Writers: Lou Breslow, Laurence Stallings, John O'Hara
CinemaSerf
Burgess Meredith is quite good as the henpecked "Oliver Pease". He makes a career out of writing the lost pet notices for his local newspaper. One day, he manages to get the editor to let him do somet...
A journalist suffering from burn-out wants to finally say goodbye to his office – but his boss doesn’t like the idea one bit.
Living in Paris, journalist Bernard has devised a scheme to keep three fiancées: Lufthansa, Air France and British United. Everything works fine as long as they only come home every third day. But when there's a change in their working schedule, they will be able to be home every second day instead. Bernard's carefully structured life is breaking apart
Burdened by a family secret, Adam White lands a job as a newspaper advice columnist. Little does he realize that it's all part of a nasty desire by cynical editor William Shrike to crush the souls of his underlings. Adam feels his readers' pain, and eventually, he takes an assignment to meet with Faye Doyle, who is exasperated by her crippled husband. When Faye tries to seduce Adam, he must choose between his job and his girl.
A crusading newsman starts up a tabloid with a gangster as his 50-50 partner.
Hard-boiled newspaper reporter Larry Doyle (Robert Armstrong) goes a bit too far in celebrating a work bonus and wakes up on a train bound for St. Louis with only a buck on his person. To remedy the problem, Doyle pawns the revolver he's carrying. When the gun is subsequently used in a murder, Doyle's problems only multiply. In the meantime, he's also fallen in love with a comely stranger (Maxine Doyle) he convinced to impersonate his wife.
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