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Hugh cant find a job, so his wife goes to work, leaving him to do the household chores.

Hugh's former girlfriend tries to blackmail him with old love letters.

Hugh, an advertising man, tries to get a local strong man to endorse a breakfast food.

Ambassador Rico DeMarco is in Washington trying to raise a five-million dollar loan for his country, Lower Salamia. Filbert Filmore and his domineering wife are about to sign on the dotted line for the loan when DeMarco's vivacious daughter, Estelita, upsets the deal by accidentally knocking hot coffee over the papers---and Mrs. Fillmore, who leaves the house in a huff. When word of the difficulties filters back home it's Viva la Revolution. But Estelita, disguised as a fortune teller tries to convince astrology believer Fillmore that the stars are propitious for his making the loan.

Hugh and his partner, Julius are assigned to demolish a old mansion that's rumored to have a fortune hidden inside somewhere. When they arrive, they meet two fortune hunters who try to scare Hugh and Julius away.

While in court after his wife has started a divorce action, Hugh begins to give the judge his side of the story.

Saloon-bar singer Freddie gets very angry whenever boyfriend Blackie seems to be playing around. She always packs a six-shooter, so this is bad news for anything that happens to be in the way. As this is usually the local judge's rear-end, Freddie and friend Conchita are soon hiding out teaching school in the middle of nowhere.

Hugh is a dead ringer for a criminal terrorizing the city.

Hugh goes on a camping trip with his brother-in-law and innocently gets involved with the sheriff's wife.

Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests, "Has a little child ever changed your life?" Oliver gets answers from two slow-talking musicians, an actress whose roles usually feature a sarong, and an itinerant cardsharp. In each case the "little child" is hardly innocent: in the first, a local auto mechanic's "baby" turns out to be fully developed as a woman and a musician; in the second, a spoiled child star learns kindness; in the third, the family of a lost brat doesn't want him returned. And Oliver, what becomes of him?
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