

Best friends Michael and Susan are college film students in search of the perfect senior film project. Bold, Shocking and never been done before is what they are hoping to achieve. What the duo soon discovers though is that sometimes it's all about taking risks. And with the film project that they have come up with, risky is an understatement. Now with their final project in hand, the duo must figure out how to convince their professor that their film project, which involves multiple sex scenes is 'doable'. Do Michael and Susan get to make sex on film a reality? You'll have to watch to find out.Sex On Film, sometimes it's all about taking risks.
Director: Brad Armstrong
Writers: Brad Armstrong
No Reviews Available

Happy Days is based on the true events of the CIA’s involvement in the adult film industry in L.A. The story follows a director as he is recruited in 1959 to make a "special" film for the CIA, (Code Name: “Operation Happy Days”). A wild, crazy and yet unbelievably true story of a CIA black-ops that spins a tale of intrigue, sex and the underbelly of the film industry.

A film student at Ryerson University struggles to complete her thesis project.

Teenager Deacon works at a video shop, and his buddies, Fred and Matt, sell the bootleg porno films he acquires. Deacon gets fired, but the pals have the bright idea of filming their own Internet porn flick in order to make money and become more popular at school. Hijinks ensue as they cast and create their movie, but porn industry player Vic Ramalot grows jealous of their burgeoning success and tries to put a stop to the project.

Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.

Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.
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