

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)
Director: Carlos Benpar
Writers: Ferrán Alberich, Carlos Benpar
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Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.

Japan, 1954. A legend emerges from the ashes of Hiroshima and Nagasaki, devastated by atomic bombs in 1945. The creature's name is Godzilla. The film that tells its story is the first of kaiju eiga, the giant monster movies.

A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.

The evolution of the zombie from its roots in Haitian voodoo to its coveted role as the world's most popular monster: from being a clumsy corpse to becoming a cannibal killer and the main agent of every infectious pandemic, the zombie has come a long way in seventy years. A look at the rising tide of zombie culture examining why something so dead has so much life in viewers' nightmares and at the box office.

French actors Lucien Jean-Baptiste, Aïssa Maïga, Sonia Rolland, Deborah Lukumuena, Marie-France Malonga, Gary Dourdan and others speak up on the reality of black actors in the French movie industry.
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