













Peter McGinn
I wouldn’t have thought it was possible to make a movie that takes place mostly in a World War I trench and dugout could hold my attention as well as Journey’s End did. Except perhaps for the excesses...

Elly, a former artist, and Dej', a troubled musician, find themselves locked in a fragile and tense dynamic as they navigate, or rather fail to navigate, the weight of Dej's addiction. On a cold night in the studio, the band find themselves in a familiar, but ever so painful, situation. Dej's constant intoxication and Elly's ongoing denial push bandmates to leave, cause songs to be abruptly cut short by drunken mishaps, and lead to empty promises being tossed around amid incomprehensible antics. Elly must decide whether taking a step forward, no matter who she might leave behind or how difficult that might actually be, is the right thing to do - if there even is, or ever has been, a 'right' thing to do for her. The internal struggle unfurls as Elly's night becomes one that could either mark a new beginning, or bring everything to an end.

In the 1950s, a Japanese-American fisherman is suspected of killing his neighbour at sea. For Ishmael, a local reporter, the trial strikes a deep emotional chord when he finds his ex-lover is linked to the case. As he investigates the killing, he uncovers some startling clues that lead him to a shocking discovery.

Welcome to the future. Civilization has been obliterated by natural catastrophes and global economic collapse. In the rotting skeletons of once great cities, the remnants of mankind struggle to survive under the brutal reign of vicious warlords who rule by fear and the power of the fist. The only hope for a courageous band of street urchins is the brave fighter Jonas, the last surviving keeper of the secrets of an ancient martial arts dynasty. Jonas must challenge the heartless Bosco in a fight for freedom or death ... only then can he become master of mankind's destiny.

A former vaudeville child star viciously torments her paraplegic sister in their decaying Hollywood mansion.

A cargo aircraft crashes in a sandstorm in the Sahara with less than a dozen men on board. One of the passengers is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for a replacement aircraft they need to build before their food and water run out.
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