Robert Glenister

Five-time Olivier Award-winner Imelda Staunton (The Crown) joins forces with her real-life daughter Bessie Carter (Bridgerton) for the very first time, playing mother and daughter in Bernard Shaw’s incendiary moral classic. Vivie Warren is a woman ahead of her time. Her mother, however, is a product of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune – but at what cost? Filmed live from the West End, this new production reunites Staunton with director Dominic Cooke (Follies, Good ), exploring the clash between morality and independence, traditions and progress.

Emilia Clarke makes her West End debut as Nina in Anya Reiss’ unique 21st century modernisation of Anton Chekhov’s The Seagull, with direction by Jamie Lloyd.

After 10 years, Eddie Franks is out of prison and trying to stay on the straight and narrow, but his drug-mule brother, Sean has other ideas. Rival gangster brothers demand Sean repay his debt to them, causing Eddie to get tangled in the crossfire, and he ends up using his life savings to calling in favours with mobster friends to try and help.

In 1862, daredevil balloon pilot Amelia Wren teams up with pioneering meteorologist James Glaisher to advance human knowledge of the weather and fly higher than anyone in history. While breaking records and advancing scientific discovery, their voyage to the very edge of existence helps the unlikely pair find their place in the world they have left far below them. But they face physical and emotional challenges in the thin air, as the ascent becomes a fight for survival.

Set in a dugout in Aisne in 1918, a group of British officers, led by the mentally disintegrating young officer Stanhope, variously await their fate.

Set in a dugout in Aisne in 1918, a group of British officers, led by the mentally disintegrating young officer Stanhope, variously await their fate.

A group of Boston-bred gangsters set up shop in balmy Florida during the Prohibition era, facing off against the competition and the Ku Klux Klan.

Eight guys from a crime organization in London are sent to guard a coffin.

Writers and historians including Hilary Mantel and Philippa Gregory revisit the last days of Anne Boleyn, who in 1536 became the first queen in British history to be executed.

We’ll Take Manhattan explores the explosive love affair between sixties supermodel Jean Shrimpton and photographer David Bailey. Focusing on a wild and unpredictable 1962 Vogue photo shoot in New York, the drama brings to life the story of two young people falling in love, misbehaving and inadvertently defining the style of the Sixties along the way.