

Just prior to the outbreak of World War I, in the British West African town of Akkra, English woman Myra Carson becomes involved in a scandal and is deported. While Myra's ship is docked at Duala, in German West Africa, the war breaks out and she finds herself facing internment by the Germans.
Director: Frank Lloyd
Writers: Leon Gordon, Bradley King
CinemaSerf
This provided quite a decent part for Elissa Landi as the modern-day temptress "Myra". She's got a bit of a past, and so is unceremoniously expelled from British West Africa to the adjacent German col...

A vicious crime lord decides that he has had enough and much to the shock of his colleagues decides to give the business to his second in command and retire to Florida after marrying his moll. Unfortunately, he has no idea that she and the man are lovers.

A condemned murderer, in the process of being executed, relives the events that led to his being sentenced to die in the electric chair. Told in flashback, we witness a sleazy dancehall girl (Vivienne Osborne) dupe a high rise riveter (Edward G. Robinson) into marriage so she can live off of him. But when he loses his job and his marbles, she ends up supporting him with money from her side man--and misses no opportunity to rub it in his face that she's now supporting him in his emasculated state. As the animosity grows and things get more and more unbearable, he is eventually driven to desperate measures.

Dennis, owner of a rubber plantation in Cochinchina, is involved with Vantine, who left Saigon to evade the police. When his new surveyor arrives along with his refined wife Dennis is quickly infatuated by her.

A romance develops between a happily married middle-aged British politician and an adventurous young aviatrix.

After years of questioning why people fear him, Death takes on human form so he can mingle among the mortals and find an answer. However, events soon spiral out of control as he falls in love with the beautiful young Grazia, the only woman not afraid of him. As he falls in love with her, her father sees him for what he is and begs him to return to his duties. Death must decide whether or not to seek his own happiness or sacrifice it so that Grazia may live.
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