Warner Oland

A history of anti-Asian racism and yellowface in Hollywood after the 1941 Pearl Harbor attack.

A documentary on the creation of the popular Charlie Chan detective character as well as the history of Chan films of the 1930s.

Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.

Starting with "The Wolf Man" (in 1941), Universal Studios made five movies featuring The Wolf Man, a character portrayed by Lon Chaney, Jr. Monster by Moonlight! explores these movies. Rick Baker explains how the make-up was done on Chaney's character. Screenwriter Curtis Siodmak took very little from earlier werewolf legends, providing his own story for some of the films. This documentary displays clips from several other movies, including "Abbott & Costello Meet Frankenstein" (1948) and "House of Dracula" (1945).

A history of horror movies.

An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.

The edition of Screen Snapshots celebrates 25 years of production. It looks at the content of edition #1, then a tribute to movie people who have died in those 25 years. Finally there are tributes to the Screen Snapshots series by Cecil De Mille, Walt Disney, Louella Parsons and Rosalind Russell.

Get ready for a Gold Medal murder mystery! This "tense, thrilling mystery" ('California Congress of Parents and Teachers') pits Charlie Chan against international spies who are using the Berlin Olympic games as the perfect cover...for cold-blooded murder!

Returning from European exile where she avoided testifying against her criminal associates, a former singer with a tell-all diary is murdered to insure her silence.

Although Charlie and Lee are in Monaco for an art exhibit, they become caught up in a feud between rival financiers which involves the Chan's in a web of blackmail and murder.