Dear Courtney

Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two reunite. On the way he discovers France, bicycling and true love, among other things.

Achim, a risk-taking young shipowner, and Willi, an inventive bon vivant, collide in the Swiss Alps. The accident alone reveals the rifts that lie between their worlds. Only Sven, the peace-loving bank employee from Sylt, who takes them both in at his vacation cabin, manages to broker a truce with cheese and wine. However, by an unfortunate coincidence, Sven dies at a happy moment. Now Achim and Willi have a problem: what to do with the body? Before his death, Sven told them all sorts of things: about his boss at the bank and fresh bread rolls, a lot of black money and the key to it. While Germany is in the grip of World Cup fever, Achim and Willi travel with Sven's body from the Swiss Alps to the North Sea. On Sylt, the dead man is supposed to wave to his boss one last time before being buried at his elbow as requested. But there's a catch: black money doesn't stink, but Sven does!

Long-haul driver Hannes (Manfred Krug) picks up a young hitchhiker, Herb (Jaecki Schwarz), who had a falling-out with his parents after dropping out of college and now travels around doing odd jobs. After a series of adventures, they are joined by Johanna (Jutta Hoffmann) and her child, who missed their bus and need a ride to Berlin. Johanna has left her husband so that he can reflect on their broken relationship and both men gradually begin to fall in love with her.

Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.

Zia, distraught over breaking up with his girlfriend, decides to end it all. Unfortunately, he discovers that there is no real ending, only a run-down afterlife that is strikingly similar to his old one, just a bit worse. Discovering that his ex-girlfriend has also "offed" herself, he sets out on a road trip to find her.