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Beatrice Prior must confront her inner demons and continue her fight against a powerful alliance which threatens to tear her society apart.
Director: Robert Schwentke
Writers: Brian Duffield, Akiva Goldsman, Mark Bomback
Per Gunnar Jonsson
As I did in my review of the first instalment, in this movie series I should probably point out that I have not read the books. Some people claim that this movie do not follow the books but, obviously...
Sequel to Takluk: Lahad Datu (2024).
A couple and their twelve-year-old son move into a giant house for the summer where things aren’t quite what they seem. Every time someone gets hurt on the grounds, the beat-up house seems to repair itself…
A former serial killer with Alzheimer's fights to protect his daughter from her mysterious boyfriend who may be a serial killer too.
Recovering from a failed love affair Shiyori heads to the country, in the company of best friend and bad girl Aiko. Having taken a long soak in the hot spring they retire to their respective cabins. They soon discover that the tranquil village is the home of a cult with a fetish for cutting off female legs. Trying to escape they are split up and keep in touch via their mobile phones. Multiple points of view and time frames keeps the viewer on their toes trying to discern the grisly fate of these "lost" girls.
In their most ostentatious attire, a distinguished group of individuals gathers to celebrate a banquet. They all conceal their identities but are free to reveal their essence, as there are barely any rules in this place. After the starters are cleared away, the service places a large tray on the table. Upon it, vulnerable, lies a naked man.
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