Sara Mardini - Gegen den Strom

Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.

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A girl from St. Petersburg walks around protest-ridden Moscow, talking to riot police and believing that sooner or later they will go over to the side of the demonstrators. An 18-year-old student of a St. Petersburg college introduces herself as Alice and tells about herself that from the age of four she lived in an orphanage and in foster families. In Moscow, Alisa, for whom this is the first rally in her life, walks along the police cordons and looks under the OMON helmet. "Under the mask you can't see, are you even human?"

Documentary showing that "gun control" has historically been used to disarm citizens and make them helpless before governments commit genocide. Dramatically covers major genocides in the Soviet Union, Germany, Uganda, Rwanda, China, Turkey, and other countries.Shows how "gun control" in the U.S. has been used to victimize blacks, Indians, children, women, and others.Combines gut-level emotional appeal and fast-paced, powerful graphics with a cool statement of historic facts and quotes from the relevant laws. - Written by Claire Wolfe

In California’s Central Valley, tucked between the county jail and the shooting range, 100 Mexican-American farmworking families live, love and strive at the Artesi II Migrant Family Housing Center. Until every December, that is, when they’re asked to leave.