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National Theatre celebrated its 50th anniversary in 2006. In January 2007, the theatre begins its 51st year with “Asakusa Fukumaru Inn,” a new drama where every episode is self-inclusive, set in an old-line inn in Asakusa. Fukumaru Daikichi, the owner of Fukumaru Inn is played by Nishida Toshiyuki. The inn has been in business for over 60 years, and Daikichi is its third owner. Known as “nosy Dai-san” from people of Asakusa, Daikichi pries into the affairs of others and ends up making matters worse. As social conditions change, his inn business faces difficult situation, but he cannot help but stop being nosy. In each episode, various guest actors/actresses appear to take the key role sometimes as a guest to the inn or as a someone Daikichi meets in the neighborhood area. Exchanges between guest actors/actresses and Dakichi will definitely make the viewers cry and laugh in all episodes.

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After losing her grandfather, Aoi—a girl who can see spirits known as ayakashi—is suddenly approached by an ogre. Demanding she pay her grandfather’s debt, he makes a huge request: her hand in marriage! Refusing this absurd offer, Aoi decides to work at the Tenjin-ya bed and breakfast for the ayakashi to pay back what her family owes.

Konohana Kitan is the heartwarming story of a new apprentice named Yuzu, and the other fox girls who work at a hot spring hotel called Konohatei. The staff at Konohatei live by one belief: no matter who one may truly be, no matter what, anyone who is a guest is a god. Of course, that includes you. Let the hospitality of Yuzu and the Konohatei heal your tired soul.

Ohana is sent off to live with her grandmother, who owns the hot spring inn. Upon arriving, she is put to work at the inn. Thrust into a life where the customers always come first, she struggles to find her place and fit in with her fellow coworkers.

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Ueba Kamo is a career woman who works as a government official at the Ministry of Finance after graduating from Tokyo University. One day, her mother who is the landlady of an old Japanese-style hotel “Ueba-ya” in Kyoto, suddenly passes away, and she has to take over the hotel as a new landlady. It is hard enough for Kamo to take on this total new type of job, but she is also surrounded by tough and intensive employees. She then teams up with a calculating and clever financier named Kinugawa Shuhei who is cold-hearted, and yet somehow lovable, and tries to embark on the reconstruction of the hotel that is deeply in debt.

In Orario, fearless adventurers band together in search of fame and fortune within the underground labyrinth known as the Dungeon. But Bell Cranel, novice adventurer, has bigger plans than riches and glory; he fights monsters in the hope of having a fateful encounter with a girl. When this happens, it doesn't go exactly as he planned. Thus begins the story of an unlikely pair, a boy and a goddess, both trying to prove themselves, both eager to reach their goals.

Contrary to what the adventures of Bell and the Goddess Hestia might imply, not everyone goes into the dungeon of Orario to pick up girls. The veterans of the Goddess Loki’s Familia have lots of reasons for risking life and limb facing the monsters and mayhem lurking within the deadly labyrinth’s multiple levels, but new member and mage Lefiya just wants to prove that she’s worthy to be on the same team as her hero, the famed sword princess Ais Wallenstein. As for Ais herself, she’s seeking something that no one else even suspects, and she may find it when trouble comes after her from the previously unreached 59th level!

Once the greatest hitman of all, Taro Sakamoto retired in the name of love. But when his past catches up, he must fight to protect his beloved family.