Nína Dögg Filippusdóttir

VIGDIS is a four part drama-series based on the inspiring true story of the first woman in the world to be democratically elected president. The series tells Vigdis' story from when she was a teenager in the late 1940s up until she decides to run for president against three male candidates in 1980. Vigdis carries the aura of a winner, someone that has always succeeded without difficulty but the opposite is true in Vigdis' life. Despite endless obstacles she never stops dreaming of a brighter future. VIGDIS is an inspirational story of hope and integrity.

Years after burning out and falling from grace, a middle aged, 90s handball legend seeks to redeem himself by returning to his childhood club to coach the women's team where he clashes with a new generation of women in a post #MeToo society.

Follows a young married couple who see their livelihoods threatened when the government starts enforcing restrictive fishing quotas after they build a small fishing empire in a village.

An Oslo detective with a painful past returns to his native Iceland to help a dedicated cop hunt a serial killer with a link to a mysterious photo.

Exit is based on the true stories of four men in their mid-30s, who all became multi-millionaires before the age of thirty. Attempting to escape from their obligations, expectations and families, they employ drugs, prostitutes, and their very own set of morals.

After a lifetime of mistakes, Linda is sent to serve time in Iceland’s only women’s prison for a vicious assault that leaves her father in a coma. But no-one knows that she harbours a dark secret that could tear her family apart, a secret that could set her free.

The body of a murder victim turns up in a small Icelandic village just as a major snowstorm cuts the region off from the rest of the world.

A dramatic thriller about a broken lawyer who seeks redemption through his investigation into the suspicious suicide of a teenage ballet prodigy.

Set in 1992, Heimsendir is an isolated mental hospital on the outskirts of Reykjavík. The hospital, referred to as ‘World’s End’ is a last resort for many mental patients, many of whom consider it a home. Elementary school teacher, Einar, is committed against his will after a severe nervous breakdown and is critical about how things are run at the hospital and before long he has most of the patients on his side, rooting for change. Einar, along with the other patients, stages a revolution and takes over the hospital, declaring its a state within a state, a Utopia for the mentally ill.