Fernanda Torres

‘The End’ chronicles the passing of time in friendships and romances. The story is told through the memories of five friends who have partaken of the pleasures of youth in Rio de Janeiro, from the glamorous 1960s to the colorful 1980s. The five get together at the funeral of the most beloved of them, in the early 1990s. Adapted from the best-selling novel by award-winning actress and writer Fernanda Torres. The author herself has adapted the novel for television, diving into profound issues, such as aging and death. Always with Torres’ own celebrated brand of elegant, witty humor. The cast features a number of award-winning, household Brazilian actors.

In this contemporary romantic comedy about love in all its forms, All the Women in the World tells the story of Paulo, a bohemian dreamer that lives his relationships intensively, falling deeply for all the women he meets. Never able to forget Maria Alice, his greatest love, he counts on the advice of his two best friends to face the emotions of his accomplishments and breakups.

‘Amor e Sorte’ is a four-episode independent series that brings together stories about relationships and transformation in times of social isolation.

Staying at home has become a form of survival in times of pandemic and the days seem to repeat itself. Now Murilo tries not to go crazy by touching life from the inside of the house.

No plot available for this tvshow.

Inside a chaotic emergency room in Rio de Janeiro, a team of doctors are torn between their internal personal conflicts, the difficulties of the profession and the surprising dramas behind each patient‘s history, in a heroic attempt to save lives...See more

No plot available for this tvshow.

Journalist Pedro Bial discusses the most important current news in Brazil and in the rest of the world.

In each episode, Fernanda Torres conducts an interview with an intellectual whom she admires and presents a fiction skit about an intriguing text - those that makes one feel stupid.

The daily life of two friends, Sueli and Fátima, whom despite being independent and single women, always feel smothered.