Gerald Lepkowski

Seven noble families fight for control of the mythical land of Westeros. Friction between the houses leads to full-scale war. All while a very ancient evil awakens in the farthest north. Amidst the war, a neglected military order of misfits, the Night's Watch, is all that stands between the realms of men and icy horrors beyond.

Enter the dramatic and dangerous world of Australia's oldest and riskiest pursuit – mining. A mismatched team strive to save a struggling but proud Australian mining company, and in doing so, must overcome their own prejudice and fears while facing life-threatening situations – not only for themselves but also for the workers they employ.

Zane Malik and the Major Crime Squad investigate crime and murder in all quarters of multicultural Sydney.

The comedic misadventures of Roy, Moss, and their grifting supervisor Jen, a 'motley crew' of IT support workers at a large corporation headed by a hotheaded yuppie.

Tense drama series about the different challenges faced by the British Security Service as they work against the clock to safeguard the nation. The title is a popular colloquialism for spies, and the series follows the work of a group of MI5 officers based at the service's Thames House headquarters, in a highly secure suite of offices known as The Grid.

Archie MacDonald, a young restaurateur is called back to his childhood home of Glenbogle where he is told he is the new Laird of Glenbogle.

Good Guys, Bad Guys was an Australian crime TV series that screened on the Nine Network between 1997 and 1998, with a telemovie and twenty-six episodes produced. A comedy/drama set in Melbourne. The program was written for, and starred, Marcus Graham as Elvis Maginnis. A disgraced former cop, tainted by his criminal family and framed for corruption, Elvis owns "K for Kleen" drycleaning, managed by the eminently more sensible Stella Kinsella and sweetheart Reuben Zeus who has Tourette syndrome. Elvis's attempts at a straight life are constantly compromised by the demands of his eccentric family, while Stella's attempts at making "K-for-Kleen" turn a profit are frustrated by Elvis's penchant for damsels in distress and a hard-luck story. He may not have a white stallion, but Elvis has a beautiful Charger. The program was filmed in Melbourne, predominantly around the inner-city "bohemian" suburbs of St. Kilda, Fitzroy and Carlton. The film style incorporated local colour - Melbourne trams, landmarks like Smith Street's Cobra cane furniture shop, and the Builder's Arms Hotel as Elvis's local - and a soundtrack of the then-latest Australian music, matched to the action. The Good Guys, Bad Guys soundtrack CD features Regurgitator, The Fauves, Nick Cave and the Bad Seeds, The Whitlams, The Avalanches, Spiderbait, The Cruel Sea and The Mavis's among others.

Correlli was an Australian television series first broadcast by ABC TV in 1995. It starred Deborra-Lee Furness as prison psychologist Louisa Correlli. The series also featured her future husband Hugh Jackman in one of his earliest roles. The first episode entitled "The Rat Tamer" has been released on to DVD. The creators and Associate Producers of the show were actress Denise Roberts from the ABC's G.P., and Carol Long. Roberts also played the role of prison warden Helen Buckley in episodes four and five.

The Damnation of Harvey McHugh is a television miniseries made by the Australian Broadcasting Corporation. The series consists of 12 episodes and was first broadcast on the ABC in 1994.

Halifax f.p. is an Australian television crime series produced by Nine Network from 1994 to 2002. The series stars Rebecca Gibney as Doctor Jane Halifax, a forensic psychiatrist investigating cases involving the mental state of suspects or victims. The series is set in Melbourne. The producers of the film were Beyond Simpson Le Mesurier; Australian Film Finance Corporation and aired on the Nine Network Australia Pty Ltd 21 Episodes of 90 and 102 minutes each were produced, and the series has screened in more than 60 countries. The budget for each episode was an average of $1.3 million. Funding came in part from the Australian Film Finance Corporation and Film Victoria.