Marian Opania

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The series follows the chairman of the ruling political party in Poland (Mr Chairman). The narrative takes place primarily in his office where, joined by his assistant Mariusz, he hosts numerous visitors, including government officials and other public office holders.

True Law is a Polish legal drama television series directed by Maciej Migas and featuring Agnieszka Dygant as the title character, Agata Przybysz. It premiered on TVN on 4 March 2012. The plot is set in Warsaw.

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No plot available for this tvshow.

Na dobre i na złe is a Polish television medical drama series, broadcast on TVP2 since November 7, 1999. Currently in its 15th season and with over 520 episodes, it is the longest-running primetime drama on Polish TV. The show revolves around the lives of doctors and patients of a hospital in Leśna Góra near Warsaw. Na dobre i na złe has been very popular among the viewers, despite recent criticism on its lack of originality. It won the "Telekamery" award for the best TV series in 2001, 2002 and 2003.

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No plot available for this tvshow.

Originally made for Polish television, “The Decalogue” focuses on the residents of a housing complex in late-Communist Poland, whose lives become subtly intertwined as they face emotional dilemmas that are at once deeply personal and universally human. Its ten hour-long films, drawing from the Ten Commandments for thematic inspiration and an overarching structure, grapple deftly with complex moral and existential questions concerning life, death, love, hate, truth, and the passage of time.

"Zmiennicy" is a grotesque comedy of absurdity and reality that masterfully blends slapstick, satire, and surrealism to expose the absurdities of life under communist rule in the People's Republic of Poland (PRL). The story follows Jacek Żytkiewicz, a taxi driver in Warsaw, and his mysterious new shift partner, Katarzyna Piórecka, who disguises herself as a man to get the job. The series is a comedy of the grotesque, filled with exaggerated characters, nonsensical bureaucracy, and surreal plot twists. It mocks the inefficiencies and contradictions of PRL institutions—from corrupt officials and inept police to bizarre workplace dynamics and social hypocrisy. Underneath the absurdity lies a thriller-like subplot: a drug trafficking operation smuggling heroin from Thailand to West Germany. This storyline, featuring shady sports officials, a Thai student, and a crooked firefighter, adds a layer of intrigue reminiscent of American crime dramas.