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The main character is an average person with average parameters: a wife, two children, a modest job, a modest salary. There is nothing unusual about Sergei Nedelin, except for one strange hobby: he likes to wander through the evening streets, look into windows and storefronts. Life is raging everywhere, and only his existence seems poor and squalid to him.

No plot available for this tvshow.

No plot available for this tvshow.

No plot available for this tvshow.

The Master and Margarita is a Russian television production of Telekanal Rossiya, based on the novel The Master and Margarita, written by Soviet writer Mikhail Bulgakov between 1928 and 1940. Vladimir Bortko directed this adaptation and was also its screenwriter.

No plot available for this tvshow.

Year 1920. A well known singer Zinaida Casarosa arrives in a small provincial town with a concert program. Her admirer Svechnikov invites her to sing at an Esperanto club. During the concert she is shot dead by an unknown person. It is Svechnikov's duty to find out the name of the killer. The mystery of her death becomes no less complicated that her life.

Russian Empire. The second decade of the twentieth century. As a result of the conflict between the Entente and the bloc of the Central Powers led by Germany, which erupted in August 1914, Russia is drawn into the First World War. A wave of unrest is rolling through the country. Revolutionary moods are increasing every day. Counterintelligence is trying with all its might to suppress the activity of German spies active in the territory of the country ...

Lieutenant Captains Pyotr Orlov and Ivan Muravyov have been serving on the Slavyanka submarine for a long time. The next trip to the sea is a planned combat exercise. But no one assumes that a catastrophe will happen this time — the waves from the training explosions will disturb the "sleeping" naval mine since the Second World War.

1942. Young men, graduates of a reconnaissance school, develop and carry out extremely complex operations behind enemy lines.
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