Anna Stieblich

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After the fall of the Berlin Wall, a former East German spy resolves to find out who betrayed her and why — and use her lethal skills to exact revenge.

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Luna Kunath (Caroline Erikson) and Tamara Meurer (Anjua Pahl) work together in the Potsdam murder commission. Luna is single, strong, assertive, funny, empathic, sporty and fast in the head. It is an excellent policewoman whose carefree always accompanies with a little naivety and brings you again and again in brenzy situations. Tamara, however, has more mature, adult. The two of the boss Bernhard Henschel (Michael Lott) and the colleagues David Grünbaum (Omar El-Saeidi), Christoph Westermann (Hendrik von Bültzingslöwen), lail-sure Thomas Brandner (Yung No) and legal physician Werner Vense (Bernd Stegemann). Potsdam, Berlin's pretty little sister, confronts the commissars again and again with a wide variety of life effects. However, the team not only determines in Potsdam, but must always be out of the surrounding area. Because the crime does not stop at the city limit.

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Bundestag member Eva Blumenthal is forced to resign due to political intrigue. Because of this, he changes jobs; she is hired by a lobbying agency. The more he proves his innocence, the more he deviates from his own morals. It must prove that there is an even more complex network of manipulation and corruption behind the intrigues. Her former lover, Economy Minister Bertram Kaiser, is found dead in the Spree River. It is unclear whether he was killed or committed suicide. is his death connected to a conspiracy?

At Phoenixsee, an artificial lake in the southern part of Dortmunds, two worlds collide between modern apartments for the rich while the old-established working class is living just a few blocks away. The newly-rich Hansmann family just moved here from Düsseldorf while the Neuraths have been living in Dortmund for their whole life. As their children are attending the same school and play in the same soccer team, the families and their problems become entangled.

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In the final analysis, it all comes down to guilt, different shades of guilt that one assumes in a single moment of thoughtlessness or in months of premeditated planning. Defence Attorney Friedrich Kronberg knows he must tip legal scales of justice in favour of his client for crimes that are never black and white and what they may seem. In German with subtitles.

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