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To fulfill her late father's will, BIN KWAI WOR opened a special coffee shop and met BAO CHI TAI, nicknamed "Tai Chi Bao" (Raisin Bread). TAI is a single father with an 8 year old son who has an ambition to become the Hong Kong coffee king. When TAI began learning the techniques of latte art from WOR, they started having feelings for each other, but unfortunately too many troubles were in between them. The most difficult was getting through WOR's two mothers, her biological mother MA SZE NGA and her step-mother SO MEI. The mothers opposed to their relationship. Facing so many challenges in their relationship, how can TAI and WOR overcome the challenges and brew their love into an aromatic and strong cup of coffee?

Calvin and Christy, a pair of professional thieves, are quarantined in Wonderful Harbour Hotel for seven days after the Hong Kong government discovers a guest at the hotel is diagnosed with H1N1. The couple encounters a cop, a bellboy, a prostitute, a news reporter, a legendary thief, and several hotel guests and employees, who all reluctantly bond together during their stay in the hotel.

Selling Laizi is not amazing because of copper (Wang Zulan), but he has a good singing voice, and he is eager to become famous one day. After repeated internal struggles, he participated in a singing competition, and was finally turned a blind eye because of his ugly appearance. Everything went wrong ever since. One day, because Tong met the beauty Yang Xianhua (played by Gou Yunhui), Yang did not leave him because of his ugliness, but met him frankly. Because Tong was so touched, he felt love for him. The best friend Cai Zhuoyan (played by Lin Zishan) deliberately made it happen. He encouraged him to show his love boldly because of copper.

The Season of Fate is a 2010 TVB television drama from Hong Kong produced by Nelson Cheung. The story takes place in a beautiful southern town. Lian Shuangchun (Guan Yonghe) and Wang Ruolan (Mi Xue) are dependent on each other. They run a tavern, but because of Lian Shuangchun’s poor cooking skills and Wang Ruolan’s Insanity and almost nothing. Ma Yongzhen (played by Guo Jinan) is a gangster who makes money and cheats, eats and drinks. One day, he met Wang Ruolan, who was repeatedly entangled by the latter as a "big brother", and had conflicts with Lian Shuangchun, so, in order to retaliate, Ma Yongzhen decided to go to work in Lian Shuangchun's tavern to make money.

Pharmaceutical company employee Ching Sum has an overbearing wife, Ko Lai-sum. In order not to fight head-on with her, he has been avoiding her in their seven years of marriage. Lai-sum, however, has never stopped watching his move, as she always believes he is fooling around behind her back. One day, Ching Sum is caught red-handed in Shenzhen by Lai-sum, who proposes to divorce him!

Fan Tung (Liu Kai Chi) is one of the four deities under the Stove God. He has offended the Queen Mother of the West of being ravenous and gets imprisoned for 500 years in the winter melon. By chance Tin Dai Kwai (Sunny Chan) and his wife Chung Bik Yuk (Louisa So) free him from constraint. Tung gets flattened by Kwai's older brother Tin Tai Fu (also played by Liu Kai Chi) accidentally and his spirit enters Fu's body inexplicably while losing all his instincts. Tung starts living in Kwai's house and getting closer to the family. Yuk finds Tung suspicious and she tries to unmask him by all means. Having failed in his attempt to return to Heaven, Tung becomes reliant on the help of six little deities who assimilated his instincts released from the melon, and since then Tung is aware of the fickleness of human nature.

The Beauty of the Game is a 2009 TVB television drama from Hong Kong produced and created by Tsui Yu On. It is a contemporary drama focusing on recreational drug use and the negative issues surrounding Hong Kong's entertainment circle.

Although D.I.E had been dissolved and the officers returned to their previous departments, their odd habits continue to follow them, resulting in many troubles for the police force. The senior staff decide to bring the D.I.E back, this time headed by Lo Sir, Yue Sir's former supervisor. Yue Sir and Jing Jing have a baby boy and Jing jing returns to work after trying to be a housewife to no avail. Initially working with the homicide unit again, she is still always chasing Dai-Hau-Ying, and after several incidents is sent back to D.I.E. Ying seems to have become less evil than before, but Jing jing continues to attempt arrest, much to the chagrin of her supervisors.

In the police force, "Death Investigation Extension" or "D.I.E." was established to accommodate those who have been sent away by their supervisors. As everybody knows, members of the Extension are to investigate unsolved cold cases. Yue Chi-Long (Roger Kwok), who has cracked a large number of difficult cases by extrasensory means, is assigned to the D.I.E. because his superiors find him strange for falling asleep constantly on the job. New appointee Ying Jing-Jing (Sonija Kwok) is a good-looking girl but she takes an uncompromising stand over every case she deals with. Initially unaccepting of a division made of incompetent detectives, she is tricked into staying by her former supervisor, who claims that she was placed there to eventually replace the head and whip the team into shape. Chi-Long proves himself a capable detective but has a laidback attitude. The relationship between Jing-Jing and Chi-Long is deteriorating day by day, but also improving in a way...

Pang Kam-Chau is left broke when his ex-girlfriend takes everything from him. Hearing a potential business opportunity with a local football team, he befriends the team coach and is given the title of operation director of the football team. Managing the team proves to be far more challenging than he expected when the players achieve poor grades at school. The football team sponsor wants to hire a famous cram school tutor, Kelly Yim Ka-Lai, to help players achieve higher results in the public examinations, but Kelly's teaching style is drastically different than Kam-Chau's and this results in comedic consequences.
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