Yuiko Kariya

Five former middle school classmates receive an email from a girl who was their classmate, but disappeared on a school trip 20 years ago. The email causes the five former classmates to meet once again.

Jaded journalist Sonoko gets a tip-off about a possible terrorist-related revenge attack. While pursuing the story, she uncovers a deeper conspiracy. A foreign terrorist attack. Local girls poisoned by pollutants. As a journalist and a woman, she must uncover the truth.

With the strong yen, global financial crisis and competition from developing nations, the Japanese manufacturing industry is in a precarious situation. A large electronics maker is on the brink of bankruptcy and can support itself for only 3 more months. Three men at the company, who work in sales, finance and production respectively, secretly form a reconstruction team and they work feverishly to revive the company.

In the fictional town of Mahoro on the outskirts of Tokyo is Tada Benriken, a small business which does odd jobs. Its owner is the solemn and level-headed Tada Keisuke, and his unexpected guest, the easygoing but vague Gyoten Haruhiko, a former junior high school classmate who showed up one day and started to sponge on him. The two of them get on like oil and water, and yet are somehow inseparable. They receive queer, dubious incoming odd job requests which they accept, and what comes into view are the friendship between them as well as the backgrounds of their clients.

Irie plays Hiiragi Haru, a third-year high school student with no real interest in women or higher education, instead choosing to live his life idly. When he notices a first-year student named Harukawa Koto being bullied, he lends her a hand, and the two form a “goldfish club” just for themselves. While love begins to bloom between them, the bullying against Koto continues to escalate. --- Tokyograph