ATARU

In the Heat of the Night is an American television series based on the motion picture and novel of the same name starring Carroll O'Connor as the white police chief William Gillespie, and Howard Rollins as the African-American police detective Virgil Tibbs. It was broadcast on NBC from 1988 until 1992, and then on CBS until 1995. Its executive producers were Fred Silverman, Juanita Bartlett and Carroll O'Connor. TGG Direct released the first season of the series to DVD on August 28, 2012.

Columbo is a friendly, verbose, disheveled-looking police detective who is consistently underestimated by his suspects. Despite his unprepossessing appearance and apparent absentmindedness, he shrewdly solves all of his cases and secures all evidence needed for indictment. His formidable eye for detail and meticulously dedicated approach often become clear to the killer only late in the storyline.

The Sentinel is a Canadian-produced television series. In the jungles of peru, the fight for survival heightened his senses. Now, Detective Jim Ellison is a sentinel in the fight for justice. Anthropologist Blair Sandburg works side by side with Jim, helping him develop these senses.

Keen Eddie is an American action, comedy-drama television series that aired in 2003 on the Fox Network. The series follows a brash NYPD detective who goes to London when one of his cases goes sour and remains to work with New Scotland Yard. The basic premise of the show bears a close resemblance to the popular 1980s British series Dempsey & Makepeace, the only notable difference being that the female partner has been replaced by a female housemate. Stylistically, the series derived inspiration from British feature films by Guy Ritchie, such as Lock, Stock and Two Smoking Barrels and Snatch. The soundtrack and incidental music for the first episode was provided by British techno duo Orbital. Daniel Ash of Love and Rockets scored the rest of the series.

Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.