No One Could Live Here

Cuban Bandleader Ricky Ricardo would be happy if his wife Lucy would just be a housewife. Instead she tries constantly to perform at the Tropicana where he works, and make life comically frantic in the apartment building they share with landlords Fred and Ethel Mertz, who also happen to be their best friends.

Ji Yeon-hee is an extremely shy, introverted 23-year-old girl with zero dating experience and a tendency to blush when talking to someone she likes. One day, four young men move into the house right next door to Yeon-hee's home, and to her surprise, they turn out to be Chanyeol, D.O, Baekhyun, and Sehun from her favorite boy band EXO, who are looking to lay low for a while. They hire her to clean their house part-time during the winter vacation and that's when Yeon-hee found out that Chanyeol was her long lost childhood friend and crush "Chan" and is the grandson of the house owner. As the story goes on, Yeon-hee soon becomes involved in a love triangle with Chanyeol and D.O.

Bananas in Pyjamas is an Australian children's television show that premiered on 20 July 1992 on ABC. It has since become syndicated in many different countries, and dubbed into other languages. In the United States, the "Pyjamas" in the title was modified to reflect the American spelling pajamas. This aired in syndication from 1995 to 1997 as a half-hour series, then became a 15-minute show paired with a short-lived 15-minute series The Crayon Box, under a 30-minute block produced by Sachs Family Entertainment titled Bananas in Pajamas & The Crayon Box. Additionally, the characters and a scene from the show were featured in the Kids for Character sequel titled Kids for Character: Choices Count. The pilot episode was Pink Mug.

Martin Bryce lives in a quiet suburban close with his wife Anne. He does his best to "organise" the leisure time of all of the other inhabitants of the close, running umpteen societies and doing "good works". He's is quite happy with his lot until Paul Ryman moves in next door.

During the Suez Crisis of 1956, two young clerks at the stuffy Foreign Office in Whitehall display little interest in the decline of the British Empire. To their eyes, it can hardly compete with girls, rock music, and the intrigue of romantic entanglements.