Hard Cell

Birds of a Feather is a British sitcom that was broadcast on BBC One from 1989 until 1998 and on ITV from 2013. Starring Pauline Quirke, Linda Robson and Lesley Joseph, it was created by Laurence Marks and Maurice Gran, who also wrote some of the episodes along with many other writers. The first episode sees sisters Tracey Stubbs and Sharon Theodopolopodos brought together when their husbands are sent to prison for armed robbery. Sharon, who lived in an Edmonton council flat, moves into Tracey's expensive house in Chigwell, Essex. Their next-door neighbour, and later friend, Dorien Green is a middle-aged married woman who is constantly having affairs with younger men. In the later series the location is changed to Hainault. The series ended on Christmas Eve 1998 after a 9-year-run.

A mockumentary following six down on their luck musicians who are hoping to find success in the music business.

In 1988, renegade filmmaker Robert Altman and Pulitzer Prize–winning Doonesbury cartoonist Garry Trudeau created a presidential candidate, ran him alongside the other hopefuls during the primary season, and presented their media campaign as a cross between a soap opera and TV news. The result was the groundbreaking Tanner ’88, a piercing satire of media-age American politics.

For Valerie Cherish, no price is too high to pay for clinging to the spotlight. Desperate to revive her career, she agrees to star in a reality TV series, allowing cameras to follow her every move as she lands a part on a new network sitcom.

Introducing "Barely Famous": a docu-style comedy series. This show explores the hypocrisy of reality TV by centering around two sisters who say they would never do a reality show, but are being filmed by a camera crew. Over the course of the season, we’ll follow Erin and Sara as they navigate the treacherous LA waters of building a career, dating, and simultaneously trying to prove that they’re “normal”. Each episode of Barely Famous will skewer Hollywood stereotypes and comment on the world of celebrity through the eyes of two D-Listers, desperately trying to insist they don’t care about “Lists” while also trying to get on the A-List. By breaking the 4th wall and occasionally telling both the crew and network to cut, no reality convention is too sacred, and our girls point out the absurdity of the medium itself.