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A group of teenagers in South Florida enact a murder plot against their mutual bully, Kent, who has emotionally, physically, and sexually abused them for years.

It's Friday and everyone is going to the hottest new disco in Los Angeles. The Commodores are scheduled to play if Floyd shows up with the instruments and Nicole dreams of becoming a disco star. Other characters are there to win the dance contest, or to put a little excitement into a fifth anniversary.

Paul, a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.

A young, millionaire rock promoter creates a new boy/girl team for his teen TV dance show. Will the ambitious go-go dancer and has-been pop star fall in love for real?

Following a stint in reform school, Ryu (Shinsuke Shimada) returns to his home, the Minami area of Osaka, accompanied by his new friend Ko (Takeshi Masu). He's greeted by his friends, Chabo (Ryusuke Matsumoto) and Ken (Bang-ho Cho). They seek to forge their own path through a multitude of rival gangs in Kita and Minami, including the Hokushin Alliance, backed by the yakuza, the Hope Association, and various other minor factions, including Zainichi Korean groups. What follows is a wild, fast-paced story of violence, revenge, betrayal, and discrimination, that never loses its sense of humor.

Director Wong Yiu, recognising the spending power of a new demographic, was looking to create a teenage sensation for the factory girls. It soon became a social phenomenon in the 1960s. Former child star Connie Chan Po-chu fitted the bill perfectly with her doe-eyed innocence framed by silky long hair. In Girls are Flowers, she plays a young tutor falling in love with a handsome boy. However, their road to romance is paved with potholes and speed bumps. Chan's fellow former child star Nancy Sit plays the boy's younger sister who saves the day with her shrewd, nimble-minded plans. Sit's role may be small but with radiance from her glorious smile and beaming personality, she brightens up this musical romantic comedy like a fairy-tale nymph.

Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.

In order to marry the girl he loves, Subash, a good-for-nothing youth, joins the army. When he returns, he learns that his own brother is using corrupt ways to gain power in politics.

In his new film, Erwin Wagenhofer is looking for the good and beautiful in this world.

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An comedy set in 1960s Helsinki. The story revolves around Elsa, a resolute hatmaker who is in complete control of her life. Besides running her shop, she sometimes doubles as a fortune teller. When Jan, a Czechoslovakian jazz musician and Elsa's old lover comes to town to perform at a "peace and friendship festival", her well-organised life is jolted out of balance.

Middle-class Karli, alcoholic Jane, unemployed Jackie, and square Ellen are four friends living together and barely scraping by in suburban Sydney. But when Karli’s father offers her a little money and a one-way ticket to New York, she finally sees a way out of her dead-end life—that is, until the money goes missing, kickstarting a final night out on the town that none of them will ever forget.

Fish, an aspiring painter, leaves the safe haven of home and moves into a dwelling unit inside an industrial building. Carrying a mixed bag of ambivalence and possibilities, her new independence shares the upsides and downsides of a subsistence living in the enclave of artists and musicians, where the strains of life – dissatisfaction with the government and an ever-looming threat of eviction – are tempered by a healthy dose of optimism and humour. The habitat of Fish and company may not be the land of la dolce vita but it’s an oasis of dreams in a desert of reality, however transient and haphazard.

At the end of the Cold War, something new arised that should influence an entire generation and express their attitude to life. It started with an idea in the underground subculture of Berlin shortly before the fall of the Wall. With the motto "Peace, Joy, Pancakes", Club DJ Dr. Motte and companions launched the first Love Parade. A procession registered as political demonstration with only 150 colorfully dressed people dancing to house and techno. What started out small developed over the years into the largest party on the planet with visitors from all over the world. In 1999, 1.5 million people took part. With the help of interviews with important organizers and contemporary witnesses, the documentary reflects the history of the Love Parade, but also illuminates the dark side of how commerce and money business increasingly destroyed the real spirit, long before the emigration to other cities and the Love Parade disaster of Duisburg in 2010, which caused an era to end in deep grief.

The perpetual underdog, Wanja gets the unique chance to start a career as an architect and becomes an adult. Amongst all the new privileges she starts missing the friends from her youth.

Nick Koenig, aka Hot Sugar, is in a hot mess. Considered a modern-day Mozart, the young electronic musician/producer records sounds from everyday life—from hanging up payphone receivers to Hurricane Sandy rain—and chops, loops and samples them into Grammy Award–nominated beats. He’s living the life every musician dreams of, complete with an internet-phenom girlfriend, rapper/singer “Kitty.” But when she dumps him, Hot Sugar is set adrift. Fleeing to Paris, he tries to regroup, searching for new sounds and a sense of self. Filmmaker Adam Lough mixes scenes of Hot Sugar at work on his vintage recording devices with surprising soul-searching reflections he offers to the camera. As tweets and posts about the broken couple blow up on the internet, Hot Sugar’s road trip presses onward, revealing even more exotic layers of the man and his music. Fun and flash, this lyrical journey offers audiences a fascinating peek into a modern artist’s creative process.

Rage celebrates turning 30 with this special look at its history and influence on Australian music and culture.

The most suffocating is the awareness that nothing is happening. All the veins are drying without the blood running through them. I came to Barão Geraldo because things happen here. Here people love as much as dolls hang themselves and chicken are slaughtered to death. Would I still hang dolls and burn memories in the next 18 years? It astonishes me how less and less I do not care for things that are not my extension. Being my own destruction is the only way. Intimacy is a farewell. All I see is a lot water and all the colors are not enough. All forms of comunication are not enough for a lot of water.

In the spring of 2016, global music sensation Major Lazer performed a free concert in Havana, Cuba—an unprecedented show that drew an audience of almost half a million. This concert documentary evolves into an exploration of youth culture in a country on the precipice of change.

The extrovert, yet slightly naive Fanny (18) has just relocated to a new high school and is struggling to navigate the social hierarchy where status and likeability seems to be measured only by cute outfits, going to the right parties, and having enough followers. Fanny desperately tries to find acceptance but after a humiliating night, she decides to join forces with Lilja (18), the class’s unapproachable, yet confident outsider. The encounter with Lilja turns Fanny’s world upside down, marking the beginning of a whirlwind friendship journey between the two. With a defiant attitude and without looking back, the girls venture out of their high school microcosm and embarks on a fast-paced journey. But climbing the social ladder requires sacrifices, and the girls struggle to not lose themselves in the process.