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The woman in the kimono exuded an indescribable charm that captivated Genjin. Her naturally alluring beauty instantly enthralled him. Then, seizing a momentary lapse in his attention, Oden's dagger plunged into his side—a wicked woman's dance driven by lust and passion, a thrilling period drama.

Pink film from Okura Eiga.

Return to Sender: Women of Color in Colonial Postcards & the Politics of Representation is a short, experimental film. Opening with three contemporary South Asian American women who recreate British colonial postcards from the early 20th century,only to subvert the colonial male gaze and acquire autonomy by choosing an action of their own.

Late in her career, Ann Gregory finds the courage to be the first woman of color to enter the USGA Women's Amateur. She collides with Babs Whatling, a privileged white woman from the south who is searching for her own identity.

DIVA! is the voice of the unrestrained feminine. Our love letter to self-expression and autonomy.

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.

A Well-Bread Woman is an experimental short centered on the dark themes of the treatment of women of colour in the film industry.

When men take up arms to go against their brothers, women have to take up gravediggers’ shovels. Ceebla (Fardouza Moussa Egueh, who we also saw in Gravedigger’s Wife), refuses to bargain for the cost of her labour. When her grave finally finds a taker, the revenue logic takes an unexpected twist. The Earth Has Ears is a civil war film without gunfire. It shows how the absurdity of war also turns everyday life at the home front irrational. / MSFF

Musical prodigy, Sparkle struggles to become a star while overcoming issues that are tearing her family apart. From an affluent Detroit area and daughter to a single mother, she tries to balance a new romance with music manager Stix while dealing with the unexpected challenges her new life will bring as she and her two sisters strive to become a dynamic singing group during the Motown-era.

Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.

The epic tale of an extraordinary South Asian sisterhood. This sort of two-person, sort of auto-biographical show loosely parodies its namesake sitcom, as Arasha & Lily journey through a series of flashbacks to reveal the unexpected story of how their friendship turned from icy to spicy.

After being diagnosed with borderline personality disorder, a young mother writes a letter to her daughter about their family’s collective journey to acceptance.

In the aftermath of a breakup, a woman agrees to be connected to an experimental device, in an attempt to restore her ability to experience emotions.

Seven years after the mysterious death of her mother, an isolated botanist meets an enigmatic, teenage runaway in a creek. Forming an unexpected bond, the two embark on a harrowing journey to confront their respective pasts, all while slowly realizing that they may not have to face their uncertain futures alone.

Maysa unfolds over a single afternoon as a young woman and her stoic middle eastern mother navigate the quiet tension of a long-held silence. As memories of migration and girlhood surface in fractured flashbacks, their unspoken history begins to unravel. A tender, restrained portrait of love, resilience, and the things women carry - even when they no longer have to.

"Born For This" chronicles the inspiring journey of Tia Bee Stokes, a mother of five who, while battling cancer, danced for 15 minutes every day, turning her fight into a powerful testament of resilience and hope.

Two meek women who are terribly abused by their husbands join forces to avenge their maltreatment. Martial arts give them the power to stand strong where they were previously weak.

CCC: Conflicted Cuties of Color uses the mockumentary genre to follow Diana, a transfer student from Cornell University embarking on her first day at Yale University (or, erm, another Ivy League University). Along her journey, she stumbles into newfound friendships, discovers a secret society for special students, and unearths some details about her long-distance relationship.

Sandra, a manicurist fed up with her marriage and curious about her future, decides to go to the fortune teller Ametista. But she doesn't expect the cards to reveal secrets, blood, and glamor.

In LAST NIGHT, a same-sex couple faces its end when one of the women would rather sacrifice her long-term relationship than watch the love of her life die from recurring cancer.

Years after their falling out, two ex-best friends coincidentally get into the same Uber share.

When one thinks of the American Deep South, the image of veiled Muslim students strolling the University of Alabama campus is the last thing that comes to mind. VOICES OF MUSLIM WOMEN FROM THE US SOUTH is a documentary that explores the Muslim culture through the lens of five University of Alabama Muslim students. The film tackles how Muslim women carve a space for self-expression in the Deep South and how they negotiate their identities in a predominantly Christian society that often has unflattering views about Islam and Muslims. Through interviews with students and faculty at Alabama, this film examines representations and issues of agency by asking: How do Muslim female students carve a space in a culture that thinks of Muslims as terrorists and Muslim women as backward?