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A "good-time girl", raised by her somewhat lax divorced father, finds herself involved in an accidental death, and the only way she's able to get out of it is to volunteer--albeit reluctantly--to be a nurse in the war effort. She travels to England and is assigned to a hospital under a very strict matron. What the girl doesn't know is that the matron is the mother she has never seen.

When war came to their home, thousands of Ukrainian women took it upon themselves to become soldiers and lay their lives on the line for peace and freedom in their country. This feature documentary follows three of those women and the lives they never expected to lead.

There is a visitor for local herb gatherer Doggie who has no particular need or greed for anything. His friend Chang-guk who is wanted to failure in his business and his captivating wife Seon-hwa come to see Doggie who has no choice but to give them a place to hide. The three of them end up living umcomfortably together. Will Doggie be able to suppress his desires for his friend's wife? And what is her secret that Doggie must never know?

Naomi Tazawa (Hiroko Kawasaki), who works at Isetan Department Store, was told by an executive at a film company (Ken Uehara), that he was going to make a film about her. She was scouted to become an actress, but she held strong. Around that time, her adoptive father dies, and at the time of his death, she learns that her real father was a man of high rank.

Ip-sae (Kim Se-in) is a caregiver with a body so full and voluptuous her clothes might burst off of her any time. All the men in her hospital ward wish dearly to be touched and cared by her. But all she has eyes for is her husband Cheon-dong (Jo Min-joon). However, her husband becomes sexually handicapped due to an accident even before they get to spend their first night together. Ip-sae tells her husband, "My love for you is eternal although we may not have physical bonding" but Cheon-dong doesn't believe in love that can't be proven physically and decides to kill her... "I won't let you go on your own. Life without you is meaningless to me." Se-ip decides to die with Cheon-dong and they leave on a suicide trip together. As if they were destined, Ip-sae meets Ha-kyoon (Ahn Sang-hoi) and becomes curious about the body of a man. She spends a night with Ha-kyoon and realizes there is another meaning to love. She breaks up with Cheon-dong and he feels betrayed.

Invisible Warriors: African American Women in World War II, illuminates the wartime experiences of 600,000 “Rosie the Riveters” - pioneers who courageously triumph over racism and sexism to create job opportunities in industry and government for themselves and future generations of African American women.

Women's work' takes on a new meaning in this diverting film showing the range of jobs taken by female workers in WWI, whether delivering post, driving lorries, hauling timber, or selling tickets on the trams. Some of the jobs are physically strenuous, and a few, such as climbing ladders to wash windows, required trousers instead of skirts. The film opens with women making cartridges, and closes in London with the Women's Land Army marching in uniform - just like their far-away men. With men away fighting, women worked in a variety of civilian occupations as well as in munitions factories, directly supporting the war effort. During the war, women proved themselves capable of doing the same work as men, and many of them were reluctant to give up their roles once the soldiers returned. At the end of 1919, the Sex Disqualification (Removal) Act was passed, making it illegal to bar someone from a job based on their gender.

In 1936, a right-wing military coup tried to overthrow the new, legally elected, democratic government of Spain. Hitler and Mussolini quickly joined the fight on the side of the fascist military. In response, and against the wishes of the U.S. government, about 80 American women joined over 2700 of their countrymen to volunteer for the Republican side in the Spanish Civil War. This film is composed of interviews with and excerpts from the letters, journals, and published writings of some of these women, as well as of supporters and sympathizers including Martha Gellhorn, Eleanor Roosevelt, Virginia Cowles, Josephine Herbst, and Dorothy Parker.

A documentary about the women who built glider planes at the H.J. Heinz plant in Pittsburgh during World War II. While America's men fought overseas, women in Pittsburgh built glider wings at the Heinz factory. The gliders were used by Allied troops to carry men and supplies behind enemy lines.
![Mrs. Theodore Roosevelt Jr. attends Women in War Work Congress in Paris [1918]](/placeholder.png)
During World War I, Mrs. Theodore Roosevelt, Jr. worked for the YMCA in France running canteens, clubs, and leave centers for soldiers and teaching French. She also designed the uniforms worn by the women workers in the YMCA. Views of Mrs. Roosevelt entertaining women YMCA workers in the garden of the home of her aunt, Mrs. Alice Green Hoffman, in Paris. There are medium close shots of Mrs. Roosevelt, the woman not wearing a hat, as she stands among a group of women.

This feature documentary profiles 12 Canadian women who entered the male-dominated world of munitions factories and farm labour during World War I. In 1994, aged 86 to 101, these women recall their wartime work experiences and the ways in which their commitment and determination helped lead the way to postwar social changes for women.

In 1944, in a small village in Calvados, just as the Allies landed, a British plane was shot down. The wounded pilot seeks help. All the villagers, who speak only of resistance, refuse to help, for fear of reprisals. Only the mayor, Dr. Leproux, takes him in and nurses him back to health, then entrusts him to the Resistance. But the Germans get wind of the story and arrest Leproux. He is saved by Major Frantz. But the budding friendship between these two men "doesn't stop the drums", and the war is on.

During the Second World War, women were for the first time allowed to work as war correspondents. Based on reports, letters and diary excerpts, filmmaker Luzia Schmid sketches a personal portrait of three fearless women and their unique attempts to report on the war.

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Murat is a charismatic political prisoner in Malatya. He is well respected by both inmates and prison officers. There he meets two women: Tozey, a famous prostitute, and Hanim, a defenseless woman accused of murdering her husband.

Mothers, nurses, soldiers and deportees - these women fought against persecution for freedom and survival amid the turbulence of World war II.

Action-war from Taiwan.

Trace the overlapping journeys of exceptional women swept up in World War I and hear their tales of bravery on history's front lines

'Narir Kotha' (Women and War) is a tribute to the sacrifice and contribution of women during the Bangladesh Liberation War. The film explores issues of rape, genocide, and militant resistance through several stories of women from different backgrounds. Their wartime stories, whether as victims of rape and violence, as freedom fighters, as refugees, or as religious and ethnic minorities, are a testament to dignity and courage and a call for justice.—tarequemasud.org

Sexual violence against women is a very effective weapon in modern warfare: instills fear and spreads the seed of the victorious side, an outrageous method that is useful to exterminate the defeated side by other means. This use of women, both their bodies and their minds, as a battleground, was crucial for international criminal tribunals to begin to judge rape as a crime against humanity.

Amidst the forest of Trường Sơn mountains, Thảo and four other girls are assigned to guard a major supply depot on the Ho Chi Minh Trail. As the war progresses and their health deteriorates, the girls begin to suffer from hysteric episodes where they become manic and laugh uncontrollably.

Writer and filmmaker Assia Djebar explores Algerian history, the psychological impact of war, and post-colonial female identity in this 1979 classic of film literature. Named for (and taking its structure from) a traditional song with five distinct movements, the film combines documentary-style observation with loose narrative form to tell the story of Lila, an Algerian expatriate returning to her country 15 years after independence has been won. In comparing her life with the lives and experiences of rural Algeriennes, Lila is able to put her childhood demons to rest and discover a new history -- one written in the ongoing strength of generations of women. Like much of Djebar's writing, the film has a strong subtext dealing with resistance to patriarchy and women's desire to appropriate the means of power and expression -- one of which, of course, is the filmmaker's camera.

The Army nurses on Bataan need help badly, but when it arrives, it sure isn't what they expected. A motley crew, including a Southern belle, a waitress, and a stripper, show up. Many conflicts arise among these women who are thrown together in what is a desperate and ultimately hopeless situation.

The end of World War II brings Europe a new political system, reshapes national and personal identities. Three women from Milan, Paris and Berlin report on the days of liberation in their diaries. Their personal stories expand the historical picture and make LIBERATION DIARIES a chronicle of female self-empowerment, resistance and resilience.

During the start of the Pacific campaign in World War II, Lieutenant Janet Davidson is the head of a group of U.S. military nurses who are trapped behind enemy lines in the Philippines. Davidson tries to keep up the spirits of her staff, which includes Lieutenants Joan O'Doul and Olivia D'Arcy. They all seek to maintain a sense of normal life, including dating, while under constant danger as they tend to wounded soldiers.

A young woman struggles to move on from the consuming grief of her experience as a combat medic in the Trường Sơn mountains during Vietnam War .

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