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The only time I’ve visited a communist country was when I went to Poland in 1980, not long after Margaret Thatcher’s Conservative government was first elected in Britain. I first visited the former East Germany in 1997, eight years after the fall of the Berlin Wall and a few months after Tony Blair’s ‘New Labour’ government was elected. Recalling these experiences many years later, White Hole questions our imaginings of life in other places, times and political systems, mirroring its narrative through its form.

A mesmerizing trip through the psychedelic vastness of space.

Human and animal kin are instrumentalised; units of production, their substrate exhausted. Can we conceive a future where technology serves all and look forward with Promethean vigour?

Playful experimental animation on illusion, geometry, Escher and the micro/macro cosmos.

A film by Charles Levine

Digital file transferred to 16mm film, projection, installation, 6 min. During filming, the drone fell into the water, causing the footage to be lost. The remaining cache files were then printed onto 16mm film, physically translating the loss and residual traces of the digital image. The movement of the emitted material was subsequently recreated with a digital camera and printed onto 16mm film.

16mm film, projection, installation, 2 min 7 sec. Simultaneously, the filming location—an abandoned mine—was captured in 16mm from a different perspective. The work highlights the interplay between various technical mediums and recording methods, while examining the materiality of space, technical constraints, and the interconnectedness of images.

White Hole, composed of three 16mm projectors, explores the theme of disappearance, revealing through the choreographed movement of the camera the trajectories of disappearance and emission of matter in the contexts of black and white holes. During filming, the drone fell into the water, causing the footage to be lost. The remaining cache files were then printed onto 16mm film, physically translating the loss and residual traces of the digital image.

After dense matter from an imploded white hole hits Earth, the planet's rotation is devastated. A group of government agents must locate a lost satellite network that is the world's only hope for survival.