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Part of Johan van der Keuken's North/South series, The White Castle focuses on the impact of the West on the underclass: on the concrete realities of their daily life and on the way their existence is isolated and frustrated. Interweaving images of the Spanish tourist mecca of Formentera, a community center in Columbus, Ohio, and factories in the Netherlands, the film vividly illustrates the fragmented, alienated lives that the market economy produces and chillingly portrays what van der Keuken saw as "a conveyor belt [that] runs across the world."

A young girl, Okimi, falls in love with Kiritaro, a handsome thief disguised as a wealthy young master.

On birthdays, we look back, celebrate the present, and hope for the future. Ingrid Andree, former actress and grandmother, turns 93 years old. But the spotlight never leaves a former performer. As we drift through the natural melancholy that comes along with celebrating age, she appears to gently drift past the idea of what a birthday means. Somewhere between ritual and theater, we are invited to ask who the performance is really for: ourselves, our loved ones, or the audience of time.

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Nerdy accountant Harold and his irrepressible friend, Kumar, get stoned watching television and find themselves utterly bewitched by a commercial for White Castle. Convinced there must be one nearby, the two set out on a late-night odyssey that takes them deep into New Jersey. Somehow, the boys manage to run afoul of rednecks, cops and even a car-stealing Neil Patrick Harris before getting anywhere near their beloved sliders.

Castle of the White Heron Nearly 1,000 years ago, in the ornate capital of Heian-kyo, there was a young, fair-skinned man of noble birth by the name of Abe no Yasunari, who was also a diviner. His foe was Tamamo no Mae. She was a bewitching magical fox who deceived the hearts of men. Time passed. Places changed. Now, the decisive day approaches at the splendid, renowned fortress known as the Castle of the White Heron. At times with grace, at times mysteriously, this revue of a Japanese tale depicts the fate of the diviner and the magical fox, in conflict and drawn to each other over the course of reincarnations spanning a millennium. Outsiders in the Renaissance While Leonardo da Vinci is celebrated as an all-around genius, there is still much about his life that remains unknown. One theory is that the inspiration for his creations was his love for a woman. This production depicts the affection and hatred between da Vinci and the figures in his life.

Eager to provide a better future for her son, Fadi, divorcée Muna Farah leaves her Palestinian homeland and takes up residence in rural Illinois -- just in time to encounter the domestic repercussions of America's disastrous war in Iraq. Now, the duo must reinvent their lives with some help from Muna's sister, Raghda, and brother-in-law, Nabeel.