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Autobiographic story about author Silvestar Kolbas, his childhood, family and war in Croatia in 1991. which deeply touched and changed his life.

Child prostitution, water caontamination, hundreds of kilometers of dead trees, tons of murdered fish, thousands of homeless and unemployed families. It seems that the progress promised by the construction of the Hydroelectric Plants on the Madeira River, in Rondônia, has passed far from that region. This work intends to give voice to those affected and affected who suffer and fight daily for the guarantee of their rights. This is the case of Nilce de Souza Magalhães, a woman, fisherwoman and fighter, who months after the recording of this film was murdered. For Nicinha, and all the people affected in the Amazon region, not a minute's silence, but a lifetime of struggle.

During the Second World War, women were for the first time allowed to work as war correspondents. Based on reports, letters and diary excerpts, filmmaker Luzia Schmid sketches a personal portrait of three fearless women and their unique attempts to report on the war.

Reporter Michael Gordon uncovers intrigue in Damascus, where the Allies and Nazis struggle for control of Arab sympathies.

In an urban war zone where everything that moves is a target, Paul tries to live, love and inform.

Free access to the Gaza Strip has remained closed to international journalists since the war began on October 7, 2023. AFP's permanent reporters are among the few professional witnesses to have experienced this conflict from the inside. They have watched, filmed, photographed, testified, all whilst struggling to ensure their own survival. From their exile, they recount this war, which is the deadliest ever recorded for members of the press.

Crossfire is the investigative documentary by an international team of journalists about two reporters, Andrea Rocchelli and Andrej Mironov, killed in eastern Ukraine, and the Ukrainian soldier Vitaly Markiv accused of their murder

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Montage film by Aymeric Caron, broadcast at the French National Assembly on May 29, 2024. “Is it a dream or a reality? » demands a little girl stunned by her injuries. It is a nightmare, without a doubt, and nothing can justify it, neither the crimes of October 7 nor the detention of Israeli hostages by Hamas. Condemning all the crimes of October 7, before and after, condemning anti-Semitism and all forms of racism is common sense. However, it seems that this needs to be clarified. Everyone present normally wishes that the surviving hostages can one day be reunited with their families and that the massacre in Gaza stops immediately. But to follow through with the process is to see things face to face, to see what has been happening in Gaza since October 7, what the Israeli army is doing, what the television channels are not showing.

Vladimir Rudnev, a VGIK graduate, newsreel cameraman, and his assistant Sashenka, assistant director of the Moscow Newsreel Studio, are filming the Red Army's combat operations during the Great Patriotic War. Not everything works out at once - they have no experience yet. From the huge stream of newsreel footage shot in the line of fire, they patiently and courageously create a portrait of their contemporaries.

Bisan Owda, journalist and influencer collaborator of the media AJ+, is at the forefront of reporting by filming with her phone, the daily life of Palestinians to the world since October 7, 2023, the start of the war and devastation from Gaza. Owda's storytelling style and resilience have captured international attention, with his work widely covered by international media. She received an Emmy Award in 2024 for her outstanding coverage of the ongoing conflict in Gaza.

As local newsrooms vanish, "News Without a Newsroom" explores journalism's uncertain future in the digital age. Through powerful stories and expert insights, the film examines the collapse of traditional media, the rise of misinformation, and the fight to preserve truth, trust and accountability in an era of disruption.