Search Results for "video art"

Game Master Video Vol.8 Art of Fighting 2 Color / 90 min / Stereo / April 28, 1994 Shinseisha GV-008 One Champion is Enough! Don't hesitate, buy it and watch it!! ① The passionate spirits of Southtown gather here!! Character Introduction (Ryo Sakazaki/Robert Garcia/Jack Turner/Lee Pyron/King/Mickey Rogers John Crowley/Takuma Sakazaki/Yuri Sakazaki/Temjin/Keiji Kisaragi/Mr. Big/Geese Howard) ② No more enemies!! This is the secret to fighting!! CPU battle strategy ③ Break! The evil YABO!! Defeat Geese Howard ④ Secret Technique Explosion!! The Seal of Shura is now broken!! Hidden Special Moves Revealed ⑤ This is what it means to slaughter... Must-see! Super Battle Scroll ⑥The Original Hall of Laughter and Wonders: This is Street Performance! Narration: Masashi Saruwatari

Video began as a medium that inspired discovery. This art documentary traces the expressive roots of “media art” in Japan — works of video, performances, and installations created using video technology that allowed for free and creative visual expression.

Video art from an unlabeled tape at the Experimental Television Center. Please help attribute.

A video art piece that combines citations from the filmmaker’s first films with footage shot in India. It was commissioned by Colombian visual artist José Alejandro Restrepo and took inspiration from A Lover’s Discourse: Fragments, by Roland Barthes.

This piece was born from the web of connections that @harryeldinosaurio has woven year after year. Now, I have an artsy audience, made in New York, exchanging their creative works with your local storyteller. That’s why subtitles are a must. Among the sonic contributions, the whistles—those gentle breaths of life—belong to Juan Alberto Cristobal Paredes, my father. I’ve always wanted to use his whistle in a video. This project also stems from a deep desire to connect with those who are just beginning their artistic journey. While I’ve done this through interviews before, this time, I do it through a more personal piece.

Tonight I danced with your ashes for the last time and killed you again, but this time for myself. I hid your ashes in a black glass until the day I set you free, until the day I set myself free...

A close examination of how video games have reached their true potential as a pure art form by dissecting one of the medium's greatest masterpieces: Inside.

A collection of video artists in Japan that at once represents a diversity of expression, and indicates three themes which underscore Japanese sensibility: nature, the persistence of cultural traditions, and the embracing of new technology.

A videotape to placate the 20th century artist Antonin Artaud, who was not very calm. Certainly transgression and nervous energies/violent impulses once went hand-in-hand, but perhaps today requires a calmer, more considered approach.

Flowers blooming and floating into the ether, VHS therapy, gesture and growth. Set to an original score by Billy Gomberg.

This is a documentary about video artists Bill & Louise Etra, Woody & Steina Vasulka, and Kit Fitzgerald & John Sanborn.

Video Art on the Edge explores the creative potential of videotape degradation through manipulating documentation of an historical video installation exhibition from The Stedelijk Museum in Amsterdam (1984), turning the material failure of video into an abstract, generative force.

Elephant-Era videos with never-before-seen footage from the era. 1. "It's True That We Love One Another" Toe Rag Studios Recording Footage 2. Live Shibuya AX 10/21/03 3. The White Stripes– Interview 4. The White Stripes– Live Shibuya AX 10/22/03 5. "The Hardest Button To Button" 8mm Film Reel

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.

Found Footage, Public Access, The Occult, and more from Pittsburgh, PA. Featuring work from "JOSH RIEVEL", Rem Lezar, Pig Norovirus Bodine, Gena Salorino, and Kyle Van Noy. Curated by Everything is Terrible!'s Scott Whiteman.

From executive producer Zach Braff and director Jeremy Snead, "Video Games: The Movie" is an epic feature length documentary chronicling the meteoric rise of video games from nerd niche to multi-billion dollar industry. Narrated by Sean Astin and featuring in-depth interviews with the godfathers who started it all, the icons of game design, and the geek gurus who are leading us into the future, "Video Games: The Movie" is a celebration of gaming from Atari to Xbox and an eye-opening look at what lies ahead.

The Artists explores the first three decades of video game history through the stories of the designers and programmers who laid the groundwork to redefine pop culture. For a massive audience, video games are the films of the 21st century and a primary source of storytelling. How did that happen? An entertaining account of this stunning success story, The Artists is the saga of how video games became such an influential cultural force.

Video art of sculpture is the real life story of Rumi (Mevlana) and Shams Tabrizi. Rumi and Shams are well known international poets of Persian language. One day, Rumi invites Shams Tabrizi to his house, Shams throws the book into the pool of water and Rumi is worried and Shams returns the book to Rumi without any trace of water. The lost half of the sculpture in the film is a representation of the same concept. "Sculpture" has won more than 69 International Awards, third place (semi-final) in called Flickers' Rhode Island International Film Festival (Academy Award ® Qualifying, BAFTA Qualifying, Canadian Screen Award Qualifying) , Winner of the 2025 Jury Award for Best Short Documentary – Toronto International Nollywood Film Festival (TINFF) – A Canadian Screen Award-Qualifying Festival , Crown Point International Film Festival(Chicago),(US),Gold Star Movie Awards (US),One-Reeler Short Film Competition (US),Accolade Competition (US), and many other events.

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

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A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

A dance by bodies of shifting colors.

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today's world.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

Between surrealism, unusual characters, art and magic tricks, "Swim Little Fish Swim" is a dreamlike journey from childhood to adulthood.

From his photo-text canvases in the 1960s to his video works in the 1970s to his installations in the 1980s, John Baldessari’s (b.1931) varied work has been seminal in the field of conceptual art. Integrating semiology and mass media imagery, he employed such strategies as appropriation, deconstruction, decontextualization, sequentiality, and text/image juxtaposition. With an ironic wit, Baldessari's work considers the gathering, sorting, and reorganizing of information. “Something that is part of my personality is seeing the world slightly askew. It’s a perceptual stance. The real world is absurd sometimes, so I don’t make a conscious attempt, but because I come at it in a certain way, it seems really strange,” Baldessari says in this interview with Nancy Bowen. A historical interview originally recorded in 1979 and re-edited in 2003 with support from the Lyn Blumenthal Memorial Fund.

Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.

"I Do Not Know What It Is that I Am Like" juxtaposes images of animals, both wild and domestic, and natural environments with human activity as it takes place in an apartment, and during a fire walking ceremony in Fiji. Documentary-style footage is combined with staged events. Despite the piece's lack of a traditional narrative, it bears some relationship to nature works. The segment features material from "Il Corpo Scuro (The dark body)" - animals and natural environments are seen up close and at a distance.

Ted Hughes's 1993 novel The Iron Woman is the springboard for this multi-media project by Mikhail Karikis. The video section of the installation features seven-year-olds from Mayflower Primary School in East London discussing the novel's environmental themes.

Mireia has just come out of a toxic relationship that prevents her from enduring physical contact when she is offered the lead role of "Sleeping Beauty" at the ballet school where she attends, and has to dance with the Blue Prince.

A 19-minute short film featuring the six performances of the Japanese performance art group Grinder-Man. Only released on VHS.

Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pixelated image and raster errors. But for Czech artists who first explored the possibilities offered by video art in the late 1980s, this medium represented a path towards freedom. Through a portrait of her grandfather Radek Pilař, one of the pioneers of Czech video art, the director explores her own legacy of imperative creative fascination. Her film’s main story, i.e., the process of reconstructing the 1989 exhibition Video Day, contrasts this enchantment with life in the final days of the totalitarian regime, which different sharply with the adventures of those who decided to emigrate – whom the filmmaker also visits in order to discover forgotten works, get to know their creators, and re-establish broken ties.

John Baldessari is one of the pioneers of conceptual art, which revolutionized contemporary art in the 1960s, and is still a profound influence on young artists today. The film shows John Baldessari in all aspects of his work: as an artist in his studio, with the technicians he collaborates with, as a teacher interacting with his students, as a passionate observer of the contemporary scene and visiting the Biennale in Venice as well as the Basel Art Fair. This film provides us with insights into the work of a radically modern-thinking artist and sharpens our perception of the often inaccessible world of contemporary art.

H(o)me(o)pa®t(h)y is a home entertainment healing system based on Homoeopathic medicine which one can at least to a certain extent autonomously manage as first aid tool, if you are skilled enough. As an allusion to David Cronenberg's Videodrome where the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers by establishing a new TV show dedicated to torture and punishment, H(o)me(o)pa®t(h)y instead is based on joy and healing. But will there be an overdose of globules? Insert 1 globules and start your solo home party! Cure yourself on so many occasions and relive a full relief. Your own H(o)me(o)pa®t(h)y kit is now available. Don't worry, be homoeopathic!

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.

A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut

A tutorial about guided meditation. Throughout the project, the spectator is invited to follow a series of steps that, if done well, will take them to a calm and tranquility state.

The heroes of this wacky spectacle are the large Karafiát family, who, in the emerging market conditions, decide to abandon their current way of making a living (stealing funeral wreaths and transforming them into artfully tied bouquets) and start a business. This is how the peculiar travel agency Český ráj, built on the ingenious idea of not taking poor Czech tourists abroad, but on the contrary, rich foreigners to Bohemia, sees the light of day. Thanks to a quirky advertising campaign, a motley mix of French people actually manage to board a bus in Paris and set off. But the Karafiats' entrepreneurial worries are just beginning.

This comedy starring Miroslav Donutil tells the story of an American of Czech origin who returns to his homeland in the 1990s. At his parents' request, he is supposed to take over the family hotel in Prague and find a Czech bride. However, he has no idea what he will have to endure in the atmosphere of the 1990s, what condition he will find the property in, or what tragicomic situations he will have to go through before someone deprives him of his property. But in the end, he finds a girl who, unbeknownst to her, comes from the same background as him.

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