Search Results for "underground film"

The first GRITTY UNDERGROUND feature film ever in Denmark - no budget - no problem! It plumbs the depths of its dark themes with passionate, convincing performances, LAST EXIT is a gritty, sexy psychological thriller. Its antihero is Nigel, an incompetent criminal. He and his wife Maria shack up at a hotel, while each struggles separately with a drug problem. Maria manages to get a straight job, and Nigel gets a gig storing illegal goods for a local crime boss known as the President. Things heat up when Nigel falls for Tanya, a prostitute who works for the President, and their affair makes him ever more distant from Maria. The stage is set for a sex and violence-fueled descent into mayhem that remains intelligent throughout, as the plot twists and secrets are revealed. Maria gets pregnant and Nigel starts to snap, and the only sane one seems to be Jimmie, Nigel's existential pot dealer... "GOOD TASTE MADE BAD TASTE!" - Peter Jackson

The short is a blunt piss-take on the work of their peers in the experimental, co-operative Melbourne and Sydney production scenes of the 1970s. Miller, appearing onscreen, critiques the film in progress – an essayistic meditation on ‘hot and cold’ (or so Kennedy facetiously claims in voiceover).

CBS bit on Piero Heliczer shooting his film 'Venus in Furs' (they mistakenly call it 'Dirt'). Released by Boo-Hooray as part of their exhibit on Heliczer and The Dead Language Press. Features the earliest known footage of The Velvet Underground. Shots of Angus MacLise on percussion, a bit of Heliczer on sax, interview segments with Jonas Mekas, Stan Brakhage (with a clip of a film he shot of Michael McClure) and Edie Segewick.

Presented as a forbidden TV broadcast, this horror anthology revives unsettling short films from the world.

A collection of Ryan's work including short films, music videos, trailers/clips from both released feature films and uncompleted features, concept trailers, behind-the-scenes footage, interviews, and Ryan's childhood filmmaker beginnings.

A program of five films on love and sex from the Japanese underground of the experimental cinema, assembled by avant-garde cineaste Takahiko Iimura, and shown at the American Cinematheque from January 19 to 25, 1967.

This intimate documentary explores a bygone era of cinematic passion and the emergence of young film enthusiasts in South Korea, including Bong Joon Ho.

The Cavalcade of Perversion, a traveling freak show, acts as a front for Divine, who is out for blood after discovering her lover's affair.

When Tyler and his childhood buddy, Jake, recommend a drug-motivated start to their Spring Break. Inviting their other friends Allison, Mellissa and her short-tempered boyfriend Danny to a drug-filled, chaotic, and killer start their "Sprang Gang" summer. With an extra pill on their palette, awaits an invitation to an innocent, clueless classmate, Melvin to join them on their risky start to their Spring Break plans. With visions and a bad high leads a dangerous, and evil demon hunting down anyone and everyone who consumes its blood-covered death sentence... Who will survive its hunt and who will suffer for their deadly decisions?

Rodnee is a broken schizophrenic consumed by drug-fueled binges and uncontrollable masturbation. His mind is over-crowded by disturbing hallucinations that manifest his traumas and most painful regrets as undefinable and monstrous pseudo-realities that constantly push him further off the edge of sanity.

A day in the life of a young Manhattanite who is in love with his mother, gives birth to $1890 from his hip, and kills indiscriminately.

Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.

Underground homage to Easy Rider about two girl bikers with bad attitudes who wind up on the wrong end of evil Cruella's shotgun.

Nihilistic cousins explore the secret deadly language of a folie à deux relationship in a Brexit environment of racism and illusion.

A montage of unconnected scenes and vignettes showcasing all kinds of folk depravity and foul ecstasy.

A group of musicians seem isolated from the world playing beautiful pieces. But in the darkness of the night, and from their minds, there are melancholies on earth, loves and families that they left behind. Their silences, their letters, these elements shape the poetic intention of this documentary.

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A gang of bikers prepares for a race as sexual, sadistic, and occult images are cut together.

Caleb Loomis is an agoraphobic twenty-something. In his spare time he makes UFO videos with miniature cities and takes an unhealthy amount of LSD. One afternoon he hears Beatrice, the lady next door, being abused. After striking an odd friendship through the wall Caleb is made aware of who lives with Beatrice.. setting in to a motion a pitch-black psychedelic revenge fantasy.

Three hit people - two men, one woman, who have never met before are placed on a road trip down the East Coast together. The only thing they have in common is that they have all worked for the same boss - and, as they swap stories, discover that they have all screwed up for this same boss in the past. As they share their stories of errors on the job - seen through visual, stirring flashbacks - they begin to wonder why it was they were put together in the first place and what might be waiting for them at the end of their little road trip.

The 29-minute experimental film Christmas on Earth caused a sensation when it first screened in New York City in 1964. Its orgy scenes, double projections and overlapping images shattered artistic conventions and announced a powerful new voice in the city's underground film scene. All the more remarkable, that vision belonged to a teenager, 18-year-old Barbara Rubin. A Zelig of the '60s, she introduced Andy Warhol to the Velvet Underground, Bob Dylan to Kabbalah and bewitched Allen Ginsberg. The same unbridled creativity that inspired her to make films when women simply didn't, saw her breach yet another male domain, Orthodox Judaism, before her mysterious death at 35. Lifelong friend Jonas Mekas saved all her letters, creating a rich archive that filmmaker Chuck Smith carefully sculpts into this fascinating portrait of a nearly forgotten artist. An avante-garde maverick, a rebel in a man's world, Barbara Rubin regains her rightful place in film history.

A doomer discovers freedom through despair over the course of a fateful night in self-isolation during the COVID-19 crisis. Shot with zero budget entirely in quarantine.

The arms company PLY-Industries suddenly has every reason to be concerned: dozens of employees in the bacteriological war research department are unknowingly infected with the new psycho-drug "Return-3". When the side effects, such as anxiety and hysteria, manifest themselves in telepathic abilities, the company takes action. A mass layoff is followed by a veritable purge. Specially hired hit squads are tasked with clearing out the infected before they can jeopardize the company's monopoly position and image. One of these killers, Verve Helios, penetrates deeper and deeper into a swamp of drugs, violence and perversion during his "jobs". Helios, the "Cleaner", discards all forms of discipline and conscience and becomes a major threat to everyone involved...

"(On the Quest for) Beograd Underground" is an independent documentary film in the form of a sequence of interviews with alternative artists from Serbia who have dedicated their lives to the creation of one (sub)culture, very rich in its nuances, yet very precarious in its existence. Numerous artists speak of their conceptions of the underground as a movement, a way of perceiving reality, a way of social engagement, and even a way of living. The specific socio-historical condition in the '90s resulted in intensive artistic activity as a response to the totalitarian regime. This film is a collection of the personal experiences of artists who were involved in the underground scene since the '90s until the first decade of the new millennium.

Tak is a work composed of 15 pieces, which I called "visual songs." The film's structure mirrors that of a pop music LP. Tak is a tribute to this genre of music, and in that sense, it is stylized and decorative. Its content is subtle, subconscious, and almost unrecognizable. (P.B.)

A short experimental cutup film by Jon Moritsugu.

When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.