Search Results for "underground film"

Presented as a forbidden TV broadcast, this horror anthology revives unsettling short films from the world.

The first GRITTY UNDERGROUND feature film ever in Denmark - no budget - no problem! It plumbs the depths of its dark themes with passionate, convincing performances, LAST EXIT is a gritty, sexy psychological thriller. Its antihero is Nigel, an incompetent criminal. He and his wife Maria shack up at a hotel, while each struggles separately with a drug problem. Maria manages to get a straight job, and Nigel gets a gig storing illegal goods for a local crime boss known as the President. Things heat up when Nigel falls for Tanya, a prostitute who works for the President, and their affair makes him ever more distant from Maria. The stage is set for a sex and violence-fueled descent into mayhem that remains intelligent throughout, as the plot twists and secrets are revealed. Maria gets pregnant and Nigel starts to snap, and the only sane one seems to be Jimmie, Nigel's existential pot dealer... "GOOD TASTE MADE BAD TASTE!" - Peter Jackson

A collection of Ryan's work including short films, music videos, trailers/clips from both released feature films and uncompleted features, concept trailers, behind-the-scenes footage, interviews, and Ryan's childhood filmmaker beginnings.

The short is a blunt piss-take on the work of their peers in the experimental, co-operative Melbourne and Sydney production scenes of the 1970s. Miller, appearing onscreen, critiques the film in progress – an essayistic meditation on ‘hot and cold’ (or so Kennedy facetiously claims in voiceover).

CBS bit on Piero Heliczer shooting his film 'Venus in Furs' (they mistakenly call it 'Dirt'). Released by Boo-Hooray as part of their exhibit on Heliczer and The Dead Language Press. Features the earliest known footage of The Velvet Underground. Shots of Angus MacLise on percussion, a bit of Heliczer on sax, interview segments with Jonas Mekas, Stan Brakhage (with a clip of a film he shot of Michael McClure) and Edie Segewick.

A program of five films on love and sex from the Japanese underground of the experimental cinema, assembled by avant-garde cineaste Takahiko Iimura, and shown at the American Cinematheque from January 19 to 25, 1967.

This intimate documentary explores a bygone era of cinematic passion and the emergence of young film enthusiasts in South Korea, including Bong Joon Ho.

Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.

A bored insurance salesman quits his job to go into politics. He first starts preaching about how man is greater than he thinks and that man can live forever. He ends up forming his own political party, "The Eternal Man" party. He begins to be referred to as "God". Then he starts having doubts about the eternalness of man.

A young man's struggle with his sexuality overtakes his life, driving him deep into his subconscious where guilt and fears of physicality chase him still further. Cornered by an intangible terror, he realises he must either break out or break down.

When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.

Features underground film makers and stars Jack Smith, Charles Ludlum, and Bill Vehr. A satirical film, comprising a collection of vignettes of the entertainment personalities who were famous during the "Roaring Twenties". Included is a take-off of the Ziegfeld Follies girl-parade, which features Ava-Graph's own pretty girls. Original music of the twenties. In stunning color

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

The story of two teenage extraterrestrial refugees from the planet Pluto, who escape to Earth after their planet is destroyed by the US government, as it was deemed “insignificant.” For many years prior, tensions between the Plutonians and the Earthlings had seen a steady incline, as Pluto held camps where Earthlings were experimented on and tortured. The two aliens make their crash landing, undertake human form and undergo the aliases “Hugh Jainus” and “E. Rection”. In an effort to wage revenge on the nation, with their brainwashed sidekick Potator under their wing, the trio hijack television stations worldwide and broadcast mind-numbingly stupid and ridiculous, yet insane and often violent programs to dumb down and distract the nation’s citizens from their devious plans. The tube tells the story...

A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.

The 29-minute experimental film Christmas on Earth caused a sensation when it first screened in New York City in 1964. Its orgy scenes, double projections and overlapping images shattered artistic conventions and announced a powerful new voice in the city's underground film scene. All the more remarkable, that vision belonged to a teenager, 18-year-old Barbara Rubin. A Zelig of the '60s, she introduced Andy Warhol to the Velvet Underground, Bob Dylan to Kabbalah and bewitched Allen Ginsberg. The same unbridled creativity that inspired her to make films when women simply didn't, saw her breach yet another male domain, Orthodox Judaism, before her mysterious death at 35. Lifelong friend Jonas Mekas saved all her letters, creating a rich archive that filmmaker Chuck Smith carefully sculpts into this fascinating portrait of a nearly forgotten artist. An avante-garde maverick, a rebel in a man's world, Barbara Rubin regains her rightful place in film history.

Adventures of Lily Lonely, a wicked gypsy and a mischievous boy. In color.

Underground Italian extremely gory, gross-out "comedy" (in early John Waters vein) about a badly burnt morphine junkie who is turned into a zombie after he gets injected with infected urine by his pug-ugly, crazy sister.

Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).

Symphony for a Sinner (1979) was a long, lavishly photographed color film generally considered the magnum opus of the class productions.

"(On the Quest for) Beograd Underground" is an independent documentary film in the form of a sequence of interviews with alternative artists from Serbia who have dedicated their lives to the creation of one (sub)culture, very rich in its nuances, yet very precarious in its existence. Numerous artists speak of their conceptions of the underground as a movement, a way of perceiving reality, a way of social engagement, and even a way of living. The specific socio-historical condition in the '90s resulted in intensive artistic activity as a response to the totalitarian regime. This film is a collection of the personal experiences of artists who were involved in the underground scene since the '90s until the first decade of the new millennium.

In the summer of 1999, an old hospital was the scene of one of the most horrific crimes in German post-war history. This film traces the almost unimaginable events and is only recommended for people with extremely strong nerves.

Symbolic film from the Underground Movement of Brazilian Cinema (Cinema Marginal) about a woman, three men and some apes. In the director's own words: “a fable where realism and logic have no place, and in which sex is a translation of all the tortures, circumstances and violent actions.”

The world-famous Cockettes enact Tricia Nixon's wedding to Edward Cox on June 11, 1971. Hurtme O. Hurtme, television correspondent, covers the wedding and interviews celebrities in attendance such as Golda Meir, Indira Gandhi, Jacqueline Onassis, Queen Elizabeth, and Elizabeth Taylor. Coretta King sings. During the reception, Eartha Kitt puts LSD in the punch. All hell breaks loose.

A series of short films by Richard Kern: Stray Dogs, Woman At The Wheel, Thrust In Me, & I Hate You Now.

For the past year, there have been rumors about the KroppCrew from KroppTown, set in the beautiful but bloody Saarland. BackDoorStorys is a smorgasbord of splatter, drug abuse, and grind tunes. In their 2005 debut film, the KroppCrew delivers an elegant, sometimes funny, somewhat lengthy, somewhat meaningless, but ultimately sick movie. For those unfamiliar with the amateur genre, this shit is perfection. This movie bleeds!

A gorehound named Marvin orders a lot of splatter movies for a movie marathon with his fellow gorehounds. He ends up ordering so much that he has trouble keeping up with orders. Come the day of the marathon, him and his friends watch gore and grime until very late at night. Just when they think the marathon is over, Marvin rediscovers one tape that he forgot all about... He quickly calls his buddies back over to watch it, and they soon discover that the tape is something far more ominous than they could have ever suspected.