Search Results for "underground film"

The first GRITTY UNDERGROUND feature film ever in Denmark - no budget - no problem! It plumbs the depths of its dark themes with passionate, convincing performances, LAST EXIT is a gritty, sexy psychological thriller. Its antihero is Nigel, an incompetent criminal. He and his wife Maria shack up at a hotel, while each struggles separately with a drug problem. Maria manages to get a straight job, and Nigel gets a gig storing illegal goods for a local crime boss known as the President. Things heat up when Nigel falls for Tanya, a prostitute who works for the President, and their affair makes him ever more distant from Maria. The stage is set for a sex and violence-fueled descent into mayhem that remains intelligent throughout, as the plot twists and secrets are revealed. Maria gets pregnant and Nigel starts to snap, and the only sane one seems to be Jimmie, Nigel's existential pot dealer... "GOOD TASTE MADE BAD TASTE!" - Peter Jackson

Presented as a forbidden TV broadcast, this horror anthology revives unsettling short films from the world.

The short is a blunt piss-take on the work of their peers in the experimental, co-operative Melbourne and Sydney production scenes of the 1970s. Miller, appearing onscreen, critiques the film in progress – an essayistic meditation on ‘hot and cold’ (or so Kennedy facetiously claims in voiceover).

CBS bit on Piero Heliczer shooting his film 'Venus in Furs' (they mistakenly call it 'Dirt'). Released by Boo-Hooray as part of their exhibit on Heliczer and The Dead Language Press. Features the earliest known footage of The Velvet Underground. Shots of Angus MacLise on percussion, a bit of Heliczer on sax, interview segments with Jonas Mekas, Stan Brakhage (with a clip of a film he shot of Michael McClure) and Edie Segewick.

A collection of Ryan's work including short films, music videos, trailers/clips from both released feature films and uncompleted features, concept trailers, behind-the-scenes footage, interviews, and Ryan's childhood filmmaker beginnings.

A program of five films on love and sex from the Japanese underground of the experimental cinema, assembled by avant-garde cineaste Takahiko Iimura, and shown at the American Cinematheque from January 19 to 25, 1967.

This intimate documentary explores a bygone era of cinematic passion and the emergence of young film enthusiasts in South Korea, including Bong Joon Ho.

When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.

A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

A bored insurance salesman quits his job to go into politics. He first starts preaching about how man is greater than he thinks and that man can live forever. He ends up forming his own political party, "The Eternal Man" party. He begins to be referred to as "God". Then he starts having doubts about the eternalness of man.

Queen of China (Hanoi Hanna), based on Ronald Tavel’s scenario, loosely refers to the real-life radio show host who broadcast antiwar propaganda to American soldiers in Vietnam. It is Mary Woronov’s showcase piece, in which she metes out physical and psychological abuse to Susan Bottomly, Angelina “Pepper” Davis, and Ingrid Superstar in a room at the Chelsea Hotel. At first, the cast tries to accurately adhere to Tavel’s scenario, but by reel two it all falls apart—the performers begin to use their real names and exhibit a sort of residual stress disorder that permeates the rest of the film.

Loosely based on an infamous 1984 Long Island murder case involving Satan-worshiping, teenage drug freaks (Knights of the Black Circle), David Wojnarowicz and Tommy Turner’s Where Evil Dwells is a low-budget D.I.Y. movie that walks the jagged lines between splatter flick, experimental film and transgressive art. The original footage was destroyed in a fire and the only footage that survived is this 28 minute preview that was put together for the Downtown New York Film Festival in 1985.

Features underground film makers and stars Jack Smith, Charles Ludlum, and Bill Vehr. A satirical film, comprising a collection of vignettes of the entertainment personalities who were famous during the "Roaring Twenties". Included is a take-off of the Ziegfeld Follies girl-parade, which features Ava-Graph's own pretty girls. Original music of the twenties. In stunning color

The Lovedolls return from their untimely demise in this 1986 sequel to "Desperate Teenage Lovedolls". Patch Kelley (Janet Housden) becomes Patch Christ, the leader of an acid-damaged religious cult who rescues has been Kitty Karryall from a boozy, wasted life. Rocking by Redd Kross, Sonic Youth, Meat Puppets, Dead Kennedys, & more! You can't kill a Lovedoll, babe... because Superstars never die!

The Cavalcade of Perversion, a traveling freak show, acts as a front for Divine, who is out for blood after discovering her lover's affair.

A young man's struggle with his sexuality overtakes his life, driving him deep into his subconscious where guilt and fears of physicality chase him still further. Cornered by an intangible terror, he realises he must either break out or break down.

Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.

A gang of leather-clad, powerful women take over a traditionally male domain, and hairspray, eyeliner, and bare flesh are on full display in Beth B’s music video for the Arthur Baker–produced club hit from synthpop band Dominatrix. Banned at the time of release, it was acquired by The Museum of Modern Art.

A gang of Nazi bikers prepares for a race as sexual, sadistic, and occult images are cut together.

In this three-act necroexploitation romance, Daphyne Delgado, a lonely secretary, decides to go on a date for the first time, but things get weird after her crush dies of natural causes and she decides to keep going.

Three hit people - two men, one woman, who have never met before are placed on a road trip down the East Coast together. The only thing they have in common is that they have all worked for the same boss - and, as they swap stories, discover that they have all screwed up for this same boss in the past. As they share their stories of errors on the job - seen through visual, stirring flashbacks - they begin to wonder why it was they were put together in the first place and what might be waiting for them at the end of their little road trip.

Adventures of Lily Lonely, a wicked gypsy and a mischievous boy. In color.

When Tyler and his childhood buddy, Jake, recommend a drug-motivated start to their Spring Break. Inviting their other friends Allison, Mellissa and her short-tempered boyfriend Danny to a drug-filled, chaotic, and killer start their "Sprang Gang" summer. With an extra pill on their palette, awaits an invitation to an innocent, clueless classmate, Melvin to join them on their risky start to their Spring Break plans. With visions and a bad high leads a dangerous, and evil demon hunting down anyone and everyone who consumes its blood-covered death sentence... Who will survive its hunt and who will suffer for their deadly decisions?

Underground Italian extremely gory, gross-out "comedy" (in early John Waters vein) about a badly burnt morphine junkie who is turned into a zombie after he gets injected with infected urine by his pug-ugly, crazy sister.

Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).

A patient escapes from a lunatic asylum and encounters a woman being pursued by a seemingly indestructible maniacal goon employed by a mysterious mobster. He decides to help her, but nothing is what it seems. Not even the past.