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Bill Elliot emulates his idol William S. Hart in the superior western Topeka. Elliot plays the archetypal Good Bad Man, hired to kick the crooked element out of a small town. A hard-drinking, hard-living man, Elliot entertains thoughts of taking over the town himself for the benefit of his own gang. After several reels of soul-searching, Elliot decides to honor his promise to clean up the town for its decent citizens. Evidently director Thomas Carr rented a camera crane for this Allied Artists production, since the camera performs remarkable calisthenics, the kind not normally seen in a medium-budget western.

A young businessman from New York (Layne Edelman) visits a diner in Topeka while on a business trip through the Midwest. Layne quickly notices something 'unusual' about this diner as he eavesdrops on the townsfolk conversations. When he returns to his table to find his belongings stolen, Layne's 'small town experience' spins mercilessly out of control.

The men from a small village make a circle in the middle of the town square. In the middle of the circle, a fight between two rams...

The Topeka Terror is a western film of 1945 directed by Howard Bretherton. The land-rush opening of the Cherokee Strip brings in its wake a scattering of outlaws and claim jumpers. Among these is a crooked promoter. Trent Parker (Frank Jacquet), and his henchmen who plan a huge swindle by compiling falsified reports, putting the claims of honest settlers into the names of various henchmen. Clay Stevens (Allan Lane), a government agent posing as a drifting cowhand, advises the settlers to organize their resistance. Ben Jode (Roy Barcroft), the gang leader, runs for sheriff so he can gain full control of the town.