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Live from the Henry Fonda Theater was a live concert of the band Dredg, released on DVD as a promotional tool for their third album, Catch Without Arms. The DVD was recorded live on June 24, 2005 at the Henry Fonda Theater in Los Angeles, California. It consists of the band playing several songs from the album, mixed with parts of an interview with the band and promos for the album.

Nagasaki, 1964: Following the death of his Yakuza father, 15-year-old Kikuo is taken under the wings of a famous Kabuki actor. Alongside Shunsuke, the actor’s only son, he decides to dedicate himself to this traditional form of theatre. For decades, the two young men grow and evolve together – and one will become the greatest Japanese master of the art of Kabuki.

Trish and Deb Murdoch are in a rut. After 14 years together and raising two daughters, they find themselves in a mid life crisis where grief and attraction threaten their domestic nucleus.

Matúš Bachync's docudrama is an expressive and thought-provoking story of a freedom-loving woman who fought communist brutality in the 1950s.

A madman is on the loose... killing fashion models that appear on the cover of magazines. The police start a manhunt in an attempt to capture the killer.

A selection of the best scenes and songs from the theatre's rich history, using STV archive material. Stanislav Štepka, an inseparable part of the naive scene and its "father", will accompany us through the 45-year history of the theatre and its characters from the village of Radošina.

Oriza Hirata is Japan's leading playwright and director, who runs his own theatrical company, Seinendan. Theatre 2 (Observational Film Series #4) examines the dynamic relationship between theatre and the society through depicting Hirata's activities. In order for his art and his not-so-commercial company to survive this highly capitalistic modern society, what kind of strategy does Hirata have and practice?

A professional company of actors with disabilities defies expectations by taking center stage in Chicago the musical.

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On November 17, 2012, Oscar-winning French actress Marion Cotillard joined the Barcelona Symphony and Catalonia National Orchestra for a performance of Arthur Honegger’s oratorio Joan of Arc at the Stake (Jeanne d'Arc au Bûcher) at the L'Auditori de Barcelona in Spain, broadcast live on Medici.tv. By Swiss composer Arthur Honegger, Jeanne d'Arc au Bûcher (1938) is an imposing oratorio. The libretto is a highly original creation by French poet and playwright Paul Claudel, who dramatises the last moments of the martyr's life. Originally written for actress Ida Rubinstein, the oratorio is written as a flashback in which Joan recalls her life, just before she dies. Honegger creates visually evocative ambiances and fills the orchestra with new sounds (saxophones, ondes Martenot). The initial prologue to the piece was added in 1944 as a symbol of the resistance during the Nazi occupation of France: again, Joan goes beyond her own story.

The play is an atypical story about Leni Riefenstahl, Adolf Hitler's court director, one of the best filmmakers in the world, who rose to fame thanks to films commissioned by the Third Reich. The character of Leni was portrayed by Zdena Studénková in the drama of the Slovak National Theatre. The original Slovak play Leni by Valerie Schulczová and Roman Olekšák is about a fictional meeting of two real people. The legendary presenter Johnny Carson, whose "The Tonight Show Starring Johnny Carson" was one of the most watched talk shows in America for thirty years, and the controversial Leni Riefenstahl, Adolf Hitler's "court director". It's 1974, Johnny is at the height of his career, and Leni is in America presenting her first completed project since the defeat of Germany - a book of photographs from Africa - Last of Nubu. But Johnny knows what his audience is more interested in than art.

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Onuki asks people in a hospital to perform a play for Paco, who suffers from memory disorder. His only hope is to help Paco survive from her illness.

This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.

At the dawn of the 20th century, following their father's arrest on suspicion of betraying state secrets, the three Waterbury children—Bobbie, Phyllis and Peter—move with their mother to Yorkshire, where they find themselves involved in unexpected dramas along the railway by their new home. This stage-to-screen version, filmed at the National Railway Museum, features the steam train from the much-loved original feature film.

"Razakar" is a period drama set in pre-Bangladesh-separation Pakistan, exploring the political tensions of the time. The story follows Jamal, an aspiring Bengali actor, as he grapples with the challenges posed by his uncompromising director, mirroring the larger socio-political conflicts unfolding around them. Through personal struggles and political subtext, the film raises poignant questions about identity and division.

Japan, 1785. Jūzaburō, a famous thief who refuses to kill innocent people, is betrayed, ambushed, and left for dead.

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Conniving Broadway starlet Mida King has plenty of enemies, so when she's found murdered at Grand Central Station, Inspector Gunther calls together a slew of suspects for questioning. Mida's shady ex-flame, Turk, seems the most likely culprit, but when smart-mouthed private eye Rocky Custer -- also a suspect himself -- begins to piece together the crime, a few clues that Gunther has overlooked come to light.

With its four operas, seventeen-hour running time and months of rehearsal, Wagner's "Ring Cycle" is a daunting undertaking for any opera company. Jon Else goes backstage to show this rare event entirely from the point of view of union stagehands at the San Francisco Opera.