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In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg's Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album's haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. "Exile on Main Street" is released to mediocre reviews that soon give way to lionization.

The Rolling Stones played in front of 1.5million people, the biggest concert of all time, at Copacabana Beach, Rio De Janeiro, on the 18th February 2006 to promote the release of their studio album "A Bigger Bang" as part of the Bigger Bang Tour.

Grrr Live! is a live album and concert film by the English rock band the Rolling Stones, released on 10 February 2023. It was recorded on 15 December 2012 at the Prudential Center in Newark, New Jersey as part of the band's 50 & Counting tour, in support of the GRRR! compilation released that year. It was originally broadcast as the pay-per-view 2012 concert film One More Shot: The Rolling Stones Live before being remixed and re-edited. The concert features guest appearances from Lady Gaga, John Mayer, Gary Clark Jr. The Black Keys, Bruce Springsteen and former Stones guitarist Mick Taylor.

Documentary about the first 20 years of the Rolling Stones with interviews and a lot of rare archive footages all over the world, pictures, TV and live songs 1962-1982 ("Satisfaction", "Jumpin' Jack Flash", "Time Is On My Side" and many more). Hosted by punk star Nina Hagen. Interviews of Mick Jagger, his brother Chris, his father Joe, Keith Richards, Bill Wyman, Ron Wood, Ian Stewart, Bianca Jagger, Paul McCartney, Marianne Faithfull, Rod Stewart, Wendy O'Williams (from the Plasmatics), Diana Ross and Bill Graham (manager).

This animation based on motion land, also used by Kiwerski in his earlier film People of Israel Went into the Midst of the Red Sea on Dry Ground, illustrates dynamic movement, intrinsic to the course of history. Mass, which undergoes constant change creating and destroying new shapes at the same time, is the protagonist here. The Rolling Stones is a symbolic interpretation of civilisations, which rise and collapse, and eventually a reflection on the impermanence of the human fate and empires built by man.

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A filming of the 1990 Rolling Stones "Steel Wheels" concert that traveled Europe. This was filmed in the IMAX process, which allows the film to be projected in a size ten times the size of a regular 35mm projected image.

Get Yer Ya-Ya's Out!: The Rolling Stones in Concert is the second live album by the Rolling Stones, released on 4 September 1970 in the UK and the United States. It was recorded in New York City and Baltimore in November 1969 prior to the release of Let It Bleed.

Seventeen Clips

Recorded Live at River Plate Stadium, Buenos Aires, Argentina February 21, 2006

The historic concert appearance of the British band in Cuba on March 25th, 2016. The "Concert for Amity" was and played at the Ciudad Deportiva Stadium - the bands first show in Cuba and the finale of their South America Tour.

This 99-minute concert, which was recorded at the world-famous Paradiso in Amsterdam on May 26, 1995, captures the Rolling Stones in top form playing a strong 20-song set to a high-spirited audience. This was the first of four small-scale club shows that the band held on the European leg of their big-scale 1994/1995 'Voodo Lounge' world tour. These shows can be seen as a kind of response to 'MTV Unplugged' with the band playing rawer, stripped-down and sometimes unplugged versions of their well-known hits as well as rare songs. The Paradiso set list includes a number of rarities from the Rolling Stones' extensive back catalogue that are performed only seldom, including "It's All Over Now," "The Spider and the Fly," "Shine a Light" and "Respectable." The final song from this show, "Street Fighting Man," was used as the opening track on the band's 1995 album 'Stripped.' The full concert was released on DVD and SD Blu-ray as part of the 'Totally Stripped' deluxe boxed set on June 3, 2016.

'From The Vault' is a series of live concerts from The Rolling Stones archive which are getting their first official release. 'The Marquee Live In 1971' is the latest addition to the series. The show was filmed at London's legendary Marquee club on March 26th 1971, shortly after the finish of the band's 1971 UK tour and about a month before the release of the 'Sticky Fingers' album in late April. Mick Taylor was now fully integrated into the group and the band had used the tour to showcase some of the tracks from the forthcoming album. The show at the Marquee was filmed for American television and four songs from the 'Sticky Fingers' album were featured, including the rarely performed 'I Got The Blues'. The footage has now been carefully restored and the sound has been newly mixed by Bob Clearmountain for this first official release of the show.

TV Special. 13 Classic Acoustic and Live Tracks Recorded in Paris, Tokyo, Amsterdam and London during 1995 European Tour.

Just For The Record is a comprehensive documentary commemorating the first 40 years of the Rolling Stones, the famous British rock'n'roll band.

A 1968 event put together by The Rolling Stones. The film is comprised of two concerts on a circus stage and included such acts as The Who, Taj Mahal, Marianne Faithfull, and Jethro Tull. John Lennon and his fiancee Yoko Ono performed as part of a supergroup called The Dirty Mac, along with Eric Clapton, Mitch Mitchell, and Keith Richards.

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Bridges To Buenos Aires is the latest concert film release from The Rolling Stones’ archive. The full-length show from their five night sell-out residency at the River Plate Stadium in Argentina’s capital city has been restored in full, and features a very special guest appearance from Bob Dylan. Filmed on April 5th 1998, by this point, the band had played to over two million people on the first two legs of the tour in North America and Japan. Amongst many highlights in this show, special guest Bob Dylan joins the band onstage at River Plate for a unique performance of his classic ‘Like A Rolling Stone’. The band only played a further two dates in South America on the triumphant, year long Bridges To Babylon tour, before they headed back to North America, and Europe.

In November of 1995, the Rolling Stones released the acclaimed album 'Stripped,' their second release on the Virgin Records label after 1994's 'Voodoo Lounge.' The concept for 'Stripped,' a studio/live hybrid album with stripped-down instrumentation, was conceived as a kind of response to 'MTV Unplugged' while the band was on their big-scale 1994/1995 world tour in support of 'Voodoo Lounge.' A total of four stripped-down concerts were held at small venues in Amsterdam, Paris and London, and recorded for the album 'Stripped.' The concert that was released under the title "Live from Paris 1995" on DVD and SD Blu-ray as part of the 2016 'Totally Stripped' deluxe boxed set took place on July 3, 1995 at the Paris Olympia, a venue with a capacity of about 2000. Three songs from this intimate concert were included on the original 'Stripped' album, namely "Shine a Light," "Let It Bleed" and "Angie."

As part of their 1994/1995 Voodoo Lounge world tour, the Rolling Stones gave a handful of small-scale, stripped-down concerts in Europe as a kind of response to 'MTV Unplugged.' This show that took place on July 19, 1995 at the Brixton Academy in London, a venue with a capacity of about 5000, was the final of a total of four club shows. The other shows were held in Paris and Amsterdam, and all of them were recorded for a forthcoming album, which was eventually named 'Stripped' and released on November 13, 1995. Two songs from the London show made it on the album, namely "Dead Flowers" and the Bob Dylan-penned "Like a Rolling Stone," with the latter also being released as the lead single off the album. "Black Limousine" and "Live with Me" from this show were chosen as the B-sides for the singles "Like a Rolling Stone" and "Wild Horses," respectively. The full Brixton Academy concert was released on DVD and SD Blu-ray as part of the 'Totally Stripped' deluxe boxed set on June 3, 2016.

While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, an alternating narrative reflects on 1968 society, politics and culture through five different vignettes.

This film contains interview material and archival footage presented all on one film. It begins with very rare black and white Australian documentary from the 60s with Jagger looking like the rebel, and Keith, looking somewhat wasted, talking about Brian Jones in some depth. Also featured are press conferences, a classic interview with Mick, Ronnie and a hung over Charlie Watts, the Life Time Achievements awards, Bill Wyman interview, Keith on why he loves the Stones, Charlie speaking about touring etc, and a long Australian interview to finish.

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A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.

This film is released as part of the ongoing 50th anniversary celebration of the Rolling Stones. It tells the story of the Stones' unparalleled journey from blues obsessed teens in the early 60s to their undisputed status as rock royalty. All of the Stones have been newly interviewed and their words form the narrative arc that links together archive footage of performances, news coverage, and interviews, much of it previously unseen. Taking its title from a lyric in "Jumpin' Jack Flash," this film gives the viewer an intimate insight into exactly what it's like to be part of the Rolling Stones as they overcome denunciation, drugs, dissensions, and death to become the definitive survivors. Over a year in the making and produced with the full cooperation and involvement of the Stones, this film is and will remain the definitive story of the world's greatest rock 'n' roll band

Featuring never-before-seen home movies and photographs, musician Bill Wyman opens up his vast personal archives to share stories and memories of his three-decade stint as bassist of the Rolling Stones.

Captain Jack Sparrow crosses paths with a woman from his past, and he's not sure if it's love — or if she's a ruthless con artist who's using him to find the fabled Fountain of Youth. When she forces him aboard the Queen Anne's Revenge, the ship of the formidable pirate Blackbeard, Jack finds himself on an unexpected adventure in which he doesn't know who to fear more: Blackbeard or the woman from his past.

Will Turner and Elizabeth Swann join forces with the revived Captain Barbossa to free Jack Sparrow from Davy Jones' locker. The group must navigate dangerous waters, confront many foes and, ultimately, choose sides in a battle wherein piracy itself hangs in the balance.

The story of Brian Jones, founding member of the Rolling Stones, in both life and the aftermath of his death.

Martin Scorsese's documentary intertwines footage from The Band's incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Van Morrison, and other rock legends.

Time-traveling bounty hunters find a doomed race-car driver in the past and bring him to 2009 New York, where his mind will be replaced with that of a terminally ill billionaire.