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The Living Theatre is an experimental company founded in New York in 1947 by Julian Beck (New York 1925-1985), painter and poet, and the actress and stage director Judith Malina (Kiel 1926), a student of Erwin Piscator. From the very beginning the group’s activities bore the stamp of social and political commitment, imbued with a strong libertarian matrix. A video montage of films and videos from The Living Theatre Archives.

One of Paik's most compelling and poignant tapes, Living with the Living Theatre pays tribute to Judith Malina and the late Julien Beck, founder of the Living Theatre. Reversing the theme of the earlier Allan 'n' Allen's Complaint, which dealt with two artists and their relationships to their fathers, Paik explores Malina and Beck's relationship to their children. Interviews provide the memories of actual lives lived together, while Betsy Connors' animated sequences transcend the specific to suggest the universality of childhood. Garrin and Paik edit these elements into an electronic synthesis that is at times dizzyingly psychedelic and always affectionate towards its subjects. Infused with personal and cultural memories that evoke time and place — Janis Joplin concert footage, Living Theatre performances — Paik creates a haunting and deeply moving homage.

a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)

Setlist: Everywhere - Reverie - Jewel - To Be - Can't Get Free - Breeze - Let Go - On Top of the World - Sweet Unknown - Angel Bell - Far Away - Adrift - Give - Adoration - Lilies • Cranes - (live) Theater Of Living Arts Philadelphia, PA 3.10.97 (8mm Master)

Internationally renowned guitar superstar Joe Bonamassa, known as a "tour de force", has delivered another stunning performance at the legendary Beacon Theatre in New York City. It features guest performances by legendary classic rock singer Paul Rodgers (Bad Company and Free), American Music Award winner John Hiatt and Beth Hart, who recently released the stunning duets album Don’t Explain alongside Joe Bonamassa. In addition to these great guest appearances, Bonamassa's show features brand new songs and an awe inspiring guitar experience.

People spoil things; there are so many of them and the last thing one wants is them traipsing through one’s house. But with the park a jungle and a bath on the billiard table, what is one to do? Dorothy wonders if an attic sale could be a solution.

In a remote village in Eastern Europe, around 1900, the young Motl Mendl is entranced by the flickering silent images on his father's cinematograph.

The final date from Dara's sell-out 100 date tour of the UK and Ireland. Recorded in front of 2,500 fans at London's Theatre Royal, this show displays the comedian at his quick-thinking best.

After the last film played at the legendary Arsenal arthouse cinema in Tübingen, director Goggo Gensch accompanies founder Stefan Paul – filmmaker, distributor, and tireless cineast – on a journey to the screens that shaped Germany’s arthouse cinema movement. Paul and companions tell of the beginnings of arthouse cinemas in the 1970s and their daily struggle for survival. Icons like John Waters and Wim Wenders contribute personal memories, while the Hof International Film Festival celebrates underground films.

UK new-wave icons Squeeze wrap up their two-night stand at The Capitol Theatre in Port Chester, NY, bringing another upbeat and energetic performance to the stage during their U.S. November swing.

A live-action short film following Asuka and Misato from "Evangelion" as ordinary people outside of the universe of Evangelion.

Il teatro vive solo se brucia (2023) The epic of travelling theaters in Italy, from the early post-war period to the advent of television, with a foray into the present, is recounted by the voice of those who lived through those years: the Carrara family.

Tokino Sora's third solo live concert, held simultaneously in Ikebukuro HUMAX Cinema in Tokyo and 109 Cinemas Osaka Expo City in Osaka, on January 22, 2022.

A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.

Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.

A professional recording of the official play. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.

Jonas Mekas’s film captures The Living Theatre’s stage production of The Brig, an unflinching portrait of life inside a U.S. Marine Corps jail in Japan in 1957. Over the course of a single day, prisoners endure relentless drills, abuse, and dehumanization, exposing the brutality of military discipline with stark immediacy.

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Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.

At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.