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"In the Gay Nineties New York had grown up into bustles and balloon Sleeves ... but The Bowery had grown younger, louder and more rowdy until it was known as the 'Livest Mile on the face of the globe' ... the cradle of men who were later to be famous.

Documentary about the history, people, and culture of New Yorks' Bowery Street and neighborhood.

Thirty years of film clips, interviews, outtakes, stills and more pay tribute to the lives and work of the comedy legends known as the Bowery Boys.

Muggs is tricked into entering a Civilian Conservation Corps camp by Danny in order to get in shape. Muggs resists and battles with the camp captain and with other campers. He also becomes involved in trying to help one of his friends get out of trouble.

Welcome to the over-the-top, extravagant world of Leigh Bowery, a key figure in New Romanticism and London nightlife in the 1980s. With his bizarre outfits, a mix of kitsch and fetish, and his eccentric performances, he influenced artists, musicians and stylists like Boy George, Lucian Freud (of whom he became the muse), Vivienne Westwood, Anthony and the Johnsons, John Galliano and David LaChapelle. Born in Australia into an intensely religious family and brought up in a Melbourne suburb, Leigh moved to London where he worked as a fashion designer and a promoter, and started the legendary disco club night "Taboo", the first outrageous polysexual party in London. The documentary offers a fully rounded portrait of this artist, including interviews with the people who knew him, who describe a complex, extreme, and ironic personality, a performer, actor and designer ahead of his time, from his difficult early life to international success, up to his death in 1994.

Filmmaker Michael Rogosin's fascinating exploration of the production history behind his father Lionel's groundbreaking documentary, On the Bowery.

A mix of documentary and scripted footage on the Bowery, New York City's skid row. Against a backdrop of men (and a few women) drinking in bars, talking and arguing, and sleeping on sidewalks, we have the story of Ray.

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Slip, Sach and the rest of the Bowery Boys enter a haunted house, where they engage in slapstick with a gorilla, a robot and a vampire

Rob Delaney may not yet have the name recognition of comedians like Louis C. K., Aziz Ansari or Jim Gaffigan. But with the help of his large and loyal Internet following, he is hoping he can take a page from his accomplished industry colleagues, and start creating material for and selling it directly online.

In this somewhat whitewashed documentary on Manhattan's Bowery a newcomer to the area takes his first step toward redemption after a meal, bed, and inspiring talk.

A vicious man-hating leather-wearing girl gang named 'The Bitches' terrorize the streets of the Lower East Side. When an innocent school girl wanders into a nearby bar to meet her date, 'The Bitches' take her under their wings.

A film directed by Michael Rogosin.

At the forefront of the punk music scene since the 1970s, CBGB, located in Manhattan's Lower East Side, is still revered as one of the most influential punk rock clubs in the world. Through footage showcasing bands such as Agnostic Front, Cro-Mags, Poison Idea & UK Subs. This documentary shows how CBGB came to be the institution it is today. Liver Performances by: AGNOSTIC FRONT -Something's Gotta Give / Believe, CRO-MAGS - Malfunction / Hard Times, MADBALL - Lockdown / True To The Game, H20 - Faster Than The World / Guilty By Association, POISON IDEA - Lifestyles / Just Get Away, HARLEY'S WAR - Malfunction / The Regulator, UK SUBS - I Live In A Car / Emotional Blackmail, THE VARUKERS - Murder / Don't Want To Be A Victim, CHAOS UK - Selfish Few / King 4 A Day, THE VIBRATORS - Pure Mania / Baby Baby Baby, MOLOTOV COCKTAIL - Kop Party / Alcohol, KRAUT - Unemployed / Kill For Cash, ADRENALINE OD - Suburbia / Old People Talk Loud, EVEN WORSE - Major Headache & FURIOUS GEORGE - Redrum

"L.A.M.F.: Live at the Bowery Electric" is a live recording of Johnny Thunders & the Heartbreakers' classic album, "L.A.M.F.," performed by a band featuring members of Blondie, MC5, and The Replacements. The recording took place at the Bowery Electric venue in New York City in November 2016.

On March 16th, 2011, to kick off the release of their album "Dancing Backward in High Heels," the New York Dolls, the godfathers of punk and glam rock, took it to the place where it all began, New York City's Lower East Side for a high styled High Def production.

Scene Bowery. Young woman drops her handkerchief while passing a Rube. He picks it up and gives it to her. She induces him to go into a side door of a saloon. Second scene, saloon. Rube and woman enter, take seats at table and order drinks. While the Rube is paying for same, woman puts knock-out drops in the Rube's glass. They drink and the Rube falls asleep. Woman takes all his valuables and leaves. Waiter wakes him up. He discovers his watch gone, fights with waiter, and is thrown out. Third scene, outside of saloon. Police patrol drawn up. They put Rube in and drive off.

Eight performers, suspended from ropes, move to a score of randomized encounter. Schneemann writes that this "kinetic theatre" work was "conceived as an aerial event with ropes rigged across the canal at San Marco... finally realized at St. Mark's Church in the Bowery, then later rigged in a grove of trees. The illuminated aqueous planes of Venice motivated the performers on layers of ropes which enclosed and surrounded the audience seated below." One of two video documents of this early and influential performance, this version features original film footage by Elaine Summers.

Ok City's Stardeath and the White Dwarfs put on a performance like none other at the World's Fair CMJ Party at the Bowery Ballroom.

Muggs and Glimpy, two East Side Kids in the army, return to their neighborhood, supposedly on furlough; actually, Muggs has been honorably discharged with a physical defect, but he tells no one of this. Danny, another East Side kid, is in jail because a large amount of medical supplies have been stolen from the warehouse where he works. Muggs see Spider, a new member of the gang, flashing a large amount of money around, and Muggs shrewdly turns toughie, boasting that he has a dishonorable discharge because of thievery. This leads Spider to confide in Muggs that he is the one who has been aiding in the theft of supplies from the warehouse, and he gets paid for the loot by Larry, operator of a nightclub where Muggs' sister, Milly, is an entertainer. Fingers, a henchman for Larry, kills Spider when he learns that Muggs has been let in on the operation. The police then suspect Muggs of killing Spider.

Anthony Kiedis and Sofia Coppola try to escape the fashion influence of Debbie Harry.

Portrait of the Sunshine Hotel, a flop house on the Bowery in New York's skid row. We meet Vic, the desk clerk, who paints watercolours and pastels; Jonesy, a janitor who talks about bedbugs; Bruce, a voluble alcoholic who makes runs for residents, picking up beer or sandwiches for them and sharing his philosophy with us; Vinnie, on methadone, caring for caged birds; Cashmere, a prostitute, the only woman at the hotel; Earl, who works downstairs in the Bowery's last factory, and Mike, the general manager, who talks about the changing face of the Bowery. The film concludes with tourists outside the Sunshine, hearing from Seth Kamil of Big Onion Walking Tours.

A product of the Bowery, Trent Regan grows up to become a powerful gangster. Regan's girlfriend Angie Miller, hearing that her childhood sweetheart (and Regan's lifelong pal) Mike Cassidy is about to marry Marjorie Church, pays a visit to Mike to offer congratulations. Convinced that Angie is fooling around behind his back, Regan accidentally kills her. A lost film.

A retired prizefighter becomes the unlikely guardian of a young orphan boy recently arrived from England to New York's Bowery District.

A compelling portrait of New Yorkers living on the streets as they struggle with mental health, addiction, and the onset of a global pandemic. This powerful documentary offers an unfiltered, at times mesmerizing glimpse into life on the margins, drawing viewers into the raw, human stories behind a deepening crisis.

A recovering alcoholic and recently converted Mormon, Arthur "Killer" Kane, of the rock band The New York Dolls, is given a chance at reuniting with his band after 30 years.

Broadway gamblers stumble across a plan by Nazi saboteurs to blow up an American battleship.

Just decades ago, flophouses in New York housed nearly 25,000 men living on the margins of society. Today few remain. Filmmaker Michael Dominic takes his camera behind the doors of the Sunshine Hotel, one of the few remaining affordable refuges for the destitute and out of luck, a world that has seemingly stood still for more than eight decades. Here the hotel residents live in tiny four-by-six-foot cubicles crowned by a ceiling of chicken wire. Focusing on several of the Sunshine’s denizens – including a transgender woman saving all her money for additional surgeries and a hotel manager who doubles as its resident philosopher – Dominic presents a non-judgmental snapshot of a diverse group of characters as memorable as the characters at Harry Hope’s bar in Eugene O’Neill’s “The Iceman Cometh.”

The East Side Kids discover that one of their own, Danny, is torn between staying in school and becoming a boxer, and is getting mixed up with gangsters.

Four young people navigate the suburban wonderland of metro-Detroit looking for love and adventure on the last weekend of summer.

Rockumentary following British rock band Pulp on their 1995 UK tour.

Created from a treasure trove of archive, Queerama traverses a century of gay experiences, encompassing persecution and prosecution, injustice, love and desire, identity, secrets, forbidden encounters, sexual liberation and pride. The soundtrack weaves the lyrics and music of John Grant, Goldfrapp and Hercules & Love Affair with the images and guides us intimately into the relationships, desires, fears and expressions of gay men and women in the 20th century – a century of incredible change.

The film's attempt to re-create an acid trip is showcased in this creature's dance: whenever she moves, a rainbow of colors and shapes appear, as if her appendages are the artist's brushes.

After finding a seemingly ordinary pair of glasses, Michael decides to show them off - unaware of the darkness that could soon consume him and endanger his friends.