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Sherif el-Azma’s 52-minute video consists of improvised scenarios involving a cadre of stewardesses for a third-world airline. The first part of the video follows them through their training: the young women interrogate one another in varying tempo, learning how to be friendly yet reveal nothing about themselves. In the second part, two of the stewardesses work the first-class cabin of a turbulent flight. As the flight wears on, the refreshments run out, the real lapses into the fantastic and the stewardesses drift into strange and terrifying new spaces. The video’s evocative imagery—an older stewardess and her protégé walking in high heels through a desert—is at once comic and tragic and just slick enough to be uncanny. The simple sets are a deadpan foil for the absurd events that unfold within them. Samuel Beckett’s dramatic work comes immediately to mind.

The story of Ernesto Pimentel’s life, raised humbly after losing his mother, inspires him to create the iconic character La Chola Chabuca, an Andean figure who captivates all of Peru with her colourful skirts and high spirits.

Chuck Toedan hosts the most controversial show on TV: Live or Die, where deathrow inmates compete against each other for a chance to beat the executioner. However, when he accidentally kills a mob boss of the most feared mafia in the city, a hit man tries to put an end to him and his show once and for all. As a battle of wits and survival ensues, Chuck is forced to engage in the very tactics he uses on his contestants, or die trying.

An award-winning cynical journalist, Lloyd Vogel, begrudgingly accepts an assignment to write an Esquire profile piece on the beloved television icon Fred Rogers. After his encounter with Rogers, Vogel's perspective on life is transformed.