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True-crime writer Ellison Oswalt is in a slump; he hasn't had a best seller in more than 10 years and is becoming increasingly desperate for a hit. So, when he discovers the existence of a snuff film showing the deaths of a family, he vows to solve the mystery. He moves his own family into the victims' home and gets to work. However, when old film footage and other clues hint at the presence of a supernatural force, Ellison learns that living in the house may be fatal.

In late 1970s Ohio, a group of friends filming a homemade zombie movie witness a devastating train derailment. Soon after, their quiet town is gripped by unexplained disappearances, strange phenomena, and a growing sense of fear, as they uncover that something terrifying has been set loose.

Rose petals, azaleas, clivia, magnolias, geraniums, Japanese quince, rosemary, seeds, blood and acrylic on 16 mm film.

The scissor dance is a 16th-century magical-religious dance and ritual in which the dancers act as mediators between humans and deities. It originated in the Ayacucho, Apurimac, and Huancavelica regions and began to gain popularity in Lima in the 1980s, during the waves of migration from rural areas to the city.

"The Wash is a portrait of the river wash that runs behind the older part of Newhall, California, where Lee and I used to live. We shot the wash on Super8 film and then finished it on video. It is a collaboration between us, describing the ways the wash is used, and the people who use it, ourselves included. It charts the way this land has changed since they began developing Newhall and the surrounding community of Valencia for housing, a development that is expected to bring over 250,000 more people into the area by the year 2015."

A lonely mime takes desperate measures in order to find the audience he deserves.

After a breakup, Titus looks back on the relationship through rose-colored glasses.

Flowers, seeds, turmeric, blood and watercolor on Super 8 film.

Hieronymus Rivera, a strong force in the New York fashion underground, is offered the deal of a lifetime by Cecilia Meadows, a government official who is the head of a new secret program called DAFTCA. What begins as a simple agreement to design uniforms for the organization, soon finds Hieronymus in the center of a vast web of conspiracy.

Bern, 1979: a tower block called Tscharnergut. A group of friends get together to make a film about their experiences growing up in suburban Switzerland.

Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

Prestidigitation before the age of the pixel. Very lively stop motion and open shutter piece, all done in camera – but transferred to video for ease of viewing.

Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

The first half of the video is footage I shot in 2014 when I was 19, on my family’s land before we moved because of the South West Calgary Ring Road. The second half I shot this summer while driving by our land, which is now the Ring Road’s construction site. -seth cardinal dodginghorse

This Super 8 short film was discovered on May 22, 2024, at the Paraguayan-German Cultural Institute in Asunción. The film is the result of a workshop produced by the ICPA's film department in 1987, led by filmmaker Marie Louise Alemann, a pioneer of experimental cinema in Argentina.

Crossing an old bridge in the Buenos Aires neighborhood of Barracas, the filmmakers come face to face. They walk towards each other, crossing paths until all that remains is the metal structure of the bridge.

Rosagante is an erotic poetry collection written by Lola Navaja. From its pages springs this short film: images that breathe to the rhythm of its verses, bodies that speak the language of their desire.

Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.