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When a trans college student learns the girl she idolizes is sleeping with their teaching assistant, she takes drastic steps to emulate her.

A mysterious woman wanders the streets of Manhattan in a confused state. Finding herself inexplicably drawn to a group of teenagers she embarks on an adventure with them through the cityscape and into the unknown. As the night progresses, she approaches something intangible on the journey back to herself.

Carter DeHaven announces that he will perform a series of "impressions." For each we see him applying makeup and changing the combing of his hair or putting on a wig. When he tilts his head down during each supposed makeover, up pops the actual celebrity (Keaton, Lloyd, Arbuckle, Valentino, Fairbanks, Coogan) he appears to have been making himself up as.

“Kim has explored the conditions of contemporary life encompassed by digital media and representational devices, creating original video work that combine powerful images and unfamiliar narratives based on autobiographical experiences . . . His new work, Studies (2024), is a fiction film with cinematic experimentation borrowing from the horror film genre. Heecheon Kim has invented a fantasy of horror that opens up a new dimension of creation in which the fragility of borders allows a possibility of narratives.”

A college student finishes her studies, but a mysterious force beckons her to an unknown fate.

A series of figure studies using high-speed HD video, and inspired by the works of Eadweard Muybridge and Etienne-Jules Marey.

Montagu Love pretty much plays himself in this Vitaphone short where he starts off by introducing himself to the viewer and saying most probably remember him for playing villains. He then asks that people pretend that he's surrounded by a dinner party and he's been asked to give a speech even though he's shy.

Clouds are always double. Seen from the outside they are measurable objects, seen from within they are experiential conditions of optical blur and atmospheric obscurity. Today’s clouds are both environmental and political. Their toxic fog is easily surrounded by lethal doubt. When ‘post-truth’ and denialism obscure acts of violence and compound the harm, we, the inhabitants of toxic clouds, must find new ways of resistance.

Joshua Gen Solondz assmbles footage shot around the world over the past decade and manipulates it into a blurred compendium that privileges darkness and abstraction over the picturesque to an intense, strobing degree.

Alice Guy films the sea.

An ongoing set of films of inconsequential animal movements which are hand-printed in a variety of ways, using changes of light, geometry, time. These processes reveal what might be hidden in the frames and photographic depths of the material, as well as constructing a way of looking in relation to their subject.

The film includes sections which explore the illusion of movement within the frame, the movement created by the filming and projection equipment, of movement suggested by camera manipulation (e.g. zoom, re-focus, etc.). Structural Studies exemplified the Hein’s central project of elaborating the central process of the cinema, situating those processes equally in terms of artistic production and mechanical reproduction.

A sequence of short films, each based on a dominant colour. Extensive use of time-lapse and frame by frame filming generates scintillating juxtapositions of light phenomena. Filmed in north west Umbria.

Claus Lucas’ Three Studies (2024) began life as a cellphone video taken of the Emerald Pool in the Te Hoiere Pelorus River, Nelson. This may not be readily apparent to you the first time you see the video; a prism of black, white, and blue pixels pulsating in a luminous, digital abstraction. As white waveforms spawn and stutter across the screen, behind the pixels, water haunts the image as a kind of shimmering, a presence made so illegible it is felt only as an absence. Three Studies is, to borrow Jay David Bolter and Richard Grusin's term, a "hypermediated" video of water. Watching data mosh and subsume the screen, water has likely left your mind, as the paucity of pixels has cast doubt on all but the very materiality of the video itself. Wave-like forms have become waveforms. The medium eclipses the object in visibility. — Matthew Whiteman, 'shards from a broken mirror,' CIRCUIT, 2025

A deep look at everyday things drifting in the meandering headwaters of a young child's language.

Three friends meet up in a diner and recall the strange ways in how they got there, eventually realizing that they all have one thing in common.

Short film about a young man discovering pants in a nudist world. A parable of the societal intolerance to anything different.

Installation view of Suky Best's 2020 work, Beach Studies.

16mm film was modeled in SketchUp and then printed on the MakerBot replicator. Printed in varying colors and thicknesses ranging from 1 filament layer (.2mm) to 3 filament layers (.6mm), the resulting 1-second strips of film were threaded through a JK optical printer and photographed digitally to produce video output. Still left to do: splice them together and run them through a 16mm projector! And possibly make some attempt at printing animations or patterns into the face of the film, other than the standard MakerBot crosshatch.

Joe Dallasandro – Melbourne style. A gratuitous depiction of the everyday lives of a typical Carlton household.

Ben Campbell is a young, highly intelligent student at M.I.T. who strives to succeed. Wanting a scholarship to transfer to Harvard School of Medicine to become a doctor, Ben learns that he cannot afford the $300,000 tuition as he comes from a poor, working-class background. But one evening, Ben is introduced by his unorthodox math professor to a small but secretive club of five students, Jill, Choi, Kianna, and Fisher, who are being trained by Professor Rosa to count cards at blackjack.

Nineteen-year-old Laura is stressed by her first year at college when money worries distract her from her studies and so, desperate for cash, she answers an online advertisement for intimate companionship that leads her down a dangerous path.

A myriad of outrageous calamities befalls an eccentric English clan with more than a few skeletons in its closets when the family's patriarch dies an unexpected death.

Befriended by aristocrat Sebastian Flyte, Oxford student Charles Ryder finds that the power and privilege experienced by the family is seductive. On a visit to the ancestral home, Brideshead, he falls in love with his friend's sister, Julia. However, as his ties to the Flytes deepen, Ryder finds himself at odds with their strong Roman Catholicism.

Four brilliant university students are forced to confront themselves in terrifying ways when their Quantum Physics experiment leads to an entangled parallel existence that leaves them questioning who they are and what is real.

John and his girlfriend have vowed to marry once they save $30,000 for their dream house. But the minute they achieve their financial goal, John finds out his niece has been accepted at Harvard, and he's reminded of his promise to pay for her tuition (nearly $30,000). John's friend Duff convinces him to turn to petty crime to make the payment … but Duff's hare-brained schemes spin quickly out of control.

Edgar is an artist living in Paris during the 1920s who believes that sex is a subject of vital importance, but almost no one discusses it with the gravity it deserves. With this in mind, Edgar gathers together a panel of fellow creative types at the home of the wealthy tycoon Faldo and his oddly accented spouse Sasha for an evening in which they will discuss their erotic lives without self-serving wit or exaggeration.

After the rise of the Taliban in Afghanistan and the restriction of women in public life, a preteen girl is forced to masquerade as a boy in order to find work to support her mother and grandmother.

In a time when girls were forbidden to study religious scriptures, a Jewish girl masquerades as a boy to enter religious training and unexpectedly finds love along the way.

In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

Gary Starke is one of the best ticket scalpers in New York City. His girlfriend, Linda, doesn't approve of his criminal lifestyle, though, and dumps him when she gets the opportunity to study cooking in Paris. Gary realizes that he has to give up scalping if he has any chance of winning her back. But before he does, he wants to cash out on one last big score. He gets his chance when the pope announces he'll be performing Easter Mass at Yankee Stadium.

With an original staging of text and music, Orlando follows the trail of one of the greatest composers of the Renaissance: Orlando di Lasso (also known as Roland de Lassus). His life and masterful oeuvre continue to move people to this day. Although he was a European star at the time, di Lasso had to endure the indignities of his social status as a servant. This documentary explores the relationship between art and power, musically accompanied by the ensemble La Tempête.

An exposé of comic proportions that only Chris Rock could pull off, GOOD HAIR visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore the way hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of the Black community.

Vivian Maier's photos were seemingly destined for obscurity, lost among the clutter of the countless objects she'd collected throughout her life. Instead these images have shaken the world of street photography and irrevocably changed the life of the man who brought them to the public eye. This film brings to life the interesting turns and travails of the improbable saga of John Maloof's discovery of Vivian Maier, unravelling this mysterious tale through her documentary films, photographs, odd collections and personal accounts from the people that knew her. What started as a blog to show her work quickly became a viral sensation in the photography world. Photos destined for the trash heap now line gallery exhibitions, a forthcoming book and this documentary film.

The second essay about still dominant dark aspects of our modern society. It is conceived as a surreal anti-patriarchal thought experiment and raises important questions about gender, power, and social change, prompting us to reflect on how historical patterns of discrimination and oppression might be either repeated or overcome in a reversed gendered world. It challenges the viewer to confront their own assumptions and biases, and to consider the possibilities of a more equitable society.

After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.

The angel protecting Mariana must guide her to her death. What happens when she finds herself falling in love with the human she protects?

Cultural theorist Stuart Hall offers an extended meditation on representation. Moving beyond the accuracy or inaccuracy of specific representations, Hall argues that the process of representation itself constitutes the very world it aims to represent, and explores how the shared language of a culture, its signs and images, provides a conceptual roadmap that gives meaning to the world rather than simply reflecting it. Hall's concern throughout is the centrality of culture to the shaping of our collective perceptions, and how the dynamics of media representation reproduce forms of symbolic power.

Destroyed in a dramatic and highly-publicized implosion, the Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. The Pruitt-Igoe Myth explores the social, economic and legislative issues that led to the decline of conventional public housing in America, and the city centers in which they resided, while tracing the personal and poignant narratives of several of the project's residents. In the post-War years, the American city changed in ways that made it unrecognizable from a generation earlier, privileging some and leaving others in its wake. The next time the city changes, remember Pruitt-Igoe.

As the U.S. planned to withdraw troops from Afghanistan in September 2021, Canadian-Afghan filmmaker and journalist Brishkay Ahmed was filming IN THE RUMBLING BELLY OF MOTHERLAND. Revealing the ongoing dangers for women reporters, and the extraordinary risks they take, this brave film provides an in-depth look into Zan TV, Kabul’s female-led news agency. A professional journalist herself, Ahmed documents both the harrowing and inspiring work of young, female journalists over the course of the two-year lead up to the Taliban takeover of Afghanistan. Following parallel news stories as they unfold – two sets of national elections as well as ongoing U.S.-Taliban peace talks – the film reveals the daily hurdles Afghan female reporters and media staff face, underscoring the existential current events that threaten both Zan TV as a media outlet and the livelihoods of the women at its heart.