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The year is 1859. Wanted fugitive Jimmy Joe Brown and his gang stop in the cleanest saloon one can visit with a bounty on one's head the size of theirs.

Stop motion movie showing the cooking of spaghetti using everyday objects instead of food.

Documentary featuring interviews with Sergio Sollima and Tomas Milian. An extra on the Explosive Media Blu-ray release of “Face to Face".

Get ready to boot scoot down the Wiggly Trail in this western adventure with wiggly music. Cow pokes Greg, Anthony, Murray and Jeff are hustling to the Town Fair. Their friend, Alfonso the Master Pasta Maker, must win the Country Cook-Off to save the Great Western Cafe from going bust. But there's bad news, pardner! Alfonso lost the secret ingredient to his pasta. With help from Foodman, the Superhero of Sustenance, The Wiggles ride off into the sunset having saved the day - and the cafe!

When the evil Clyde Carbonara threatens the town of Flavorado’s right to eat spaghetti a dozen different ways, Johnny Alfredo and his companions risk everything to save Flavorado and it’s very way of life.

A western animation movie

No description available for this movie.

Video containing a fragment of the journalistic reportage "Roma 4 - Passeggiate per la città" (1967) by Bernardino Zapponi and Stefano De Stefani, where attention is directed to Cinecittà and in particular to the sets where, in that period, numerous scenes were shot of Italian western films, the so-called "spaghetti westerns".

Victory Over the Sun, or, Spaghetti Western Unlike You & Me was shot in a former cinema, built in the late 1950s in a small town overlooking the Gulf of St Euphemia in southern Italy. Malone constructs a kind of portrait of the cinema that reveals both its former elegance and international Modernity, alongside its current obsolescence and perhaps equally beautiful dilapidation. A narrative is ambiguously laid over the images in the form of a voiceover telling the story of an unusual percussion instrument designed by Russian avant-garde composer Galina Ustvolskaya.

A short Making Of about the 7th film by Quentin Tarantino.

Documentary about the end of the Spaghetti Western genre film cycle.

In this humorous paean to the joys of food, a pair of truck drivers happen onto a decrepit roadside shop selling ramen noodles. The widowed owner, Tampopo, begs them to help her turn her establishment into a paragon of the "art of noodle-soup making". Interspersed are satirical vignettes about the importance of food to different aspects of human life.

No description available for this movie.

The beginnings, development and decline of so-called spaghetti-western genre; with clips, interviews and opinions of producers, actors and directors. A nostalgic look at those movies that are still in the taste of many.

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.

Two bounty hunters both pursue the brutal and sadistic bandit, El Indio, who has a large bounty on his head.

The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.

At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.

The two brothers Trinity and Bambino are exchanged by two federal agents and take advantage of the situation to steal a huge booty hidden in a monastery by a gang of outlaws.

The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.

Jack Beauregard, an aging gunman of the Old West, only wants to retire in peace and move to Europe, but a young gunfighter known as "Nobody" who idolizes Beauregard wants him to go out in a blaze of glory. So, he arranges for Jack to face the 150-man gang known as The Wild Bunch and earn his place in history.

A coffin-dragging gunslinger and a prostitute become embroiled in a bitter feud between a merciless masked clan and a band of Mexican revolutionaries.

Hud Dixon returns to his hometown when his brother is killed by a lynch mob.

A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.

A friendship is formed between an ex-gangster, and two groups of hitmen - those who want to protect him and those who were sent to kill him.

Four petty criminals, three men and a woman, wander through the trackless terrain of the Wild West Utah and are hounded by a sadistic bandit.

In the thickness of the mountains, in an isolated community led by a preacher known as El Señor, a presumed new Messiah is brought, unleashing a wave of violence and pain.

Three musicians arrive in a Mexican village destroyed by El Supremo and learn, from the only survivor, of the lost treasure of Montezuma hidden in an Aztec temple. Along comes Pecos and the search is on. Source: SWDB www.spaghetti-western.net

1907 Central America: Maria II is the daughter of an Irish terrorist. After her father's death, she meets Maria I, a performer, and decides to stay with the circus, and on her debut as a singer, unintentionally invents the striptease and makes the circus famous. Their inadvertent encounter with a socialist revolutionary lands them leading a revolution against the dictator, the capitalists, and the Church.

While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry's treasures, which Kowalski revels in.

Half-breed Keoma returns to his border hometown after service in the Civil War and finds it under the control of Caldwell, an ex-Confederate raider, and his vicious gang of thugs. To make matters worse, Keoma's three half-brothers have joined forces with Caldwell, and make it painfully clear that his return is an unwelcome one. Determined to break Caldwell and his brothers' grip on the town, Keoma partners with his father's former ranch hand to exact violent revenge.

The Mexican guerilla leader Tepepa and his gang fight against the chief of police, Cascorro.

A very unlikely trio join forces in order to rob a bank: an ex-bandit called Smith, now a cheerful reverend, a nomadic artist and a pickpocket. Their plan is successful, however, and the three make off with the money from the bank's vaults, only to find themselves robbed of their newly-acquired wealth by a young schoolmistress.