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During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.

Heroin addict Mark Renton stumbles through bad ideas and sobriety attempts with his unreliable friends --Sick Boy, Begbie, Spud and Tommy. He also has an underage girlfriend, Diane, along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind as Begbie and Sick Boy come knocking.

In the outskirts of Tokyo, a poor but close-knit group living on the fringes of society survives through shoplifting and odd jobs. When Osamu and his son take in a neglected young girl, their already fragile existence begins to unravel. As the family grows attached to her, buried secrets surface, forcing them to confront the true meaning of love, belonging, and what makes a family.

At the edge of Iceland’s Reykjanes peninsula, two women’s lives will intersect – for a brief moment – while trapped in circumstances unforeseen. Between a struggling Icelandic mother and an asylum seeker from Guinea-Bissau, a delicate bond will form as both strategize to get their lives back on track.

Lorna is a young Albanian woman in a marriage of convenience with Claudy, a heroin addict. Just as Lorna is about to be granted Belgian citizenship, Claudy finds the strength to detox; this presents a problem not only for Lorna, but for the criminal who brokered the deal.

Shun and Nagisa first meet and fall in love during their first year of high school. While Shun is graduating from university, Nagisa tells him that he doesn't see a future for them. Despite Shun's strong feelings, they go their separate ways. Years later, Shun is now a store owner, living alone in a rural area. Out of the blue, Nagisa arrives with his six-year-old daughter, Sora. Spending time together, Shun realizes he still harbors feelings for Nagisa. Can Nagisa reconcile with his feelings for Shun, which have been there all along?

A middle aged carpenter, who requires state welfare after injuring himself, is joined by a single mother in a similar scenario.

In the middle of a Texas summer, plans for a babysitter fall through and six-year-old Caroline is left in charge of her two younger siblings.

Angie is a working class woman. After being fired, she decides to set up a recruitment agency of her own, running it from her kitchen with her friend, Rose. Taking advantage of the desperation of immigrants, Angie builds a successful business extremely quickly.

Based on real stories, using both actors and non-actors, and filmed on location in Dublin, A Week in the Life of Martin Cluxton (1971) is a rare example of Irish social realism. After years in an industrial school, Martin Cluxton (Derek King) returns home to Dublin but finds considerable prejudice and little opportunity. Broadcast on RTÉ, it was directed by Brian MacLochlainn, co-written by Caoimhín Ó Marcaigh and MacLochlainn, with music by jazz great Louis Stewart.

Three war-torn strangers posing as a family flee Sri Lanka’s civil war to start over in a troubled Paris suburb, but their past traumas resurface as they struggle to survive in their new environment.

Walter is a 60-year-old removal man for forced evictions. He recognizes in one of the tenants about to be evicted his estranged son, Jan. In order to help Jan, Walter has to confront not only his crooked boss but also his own past.

Claudio is a construction worker living in the outskirts of Rome. He's happily married and his wife is pregnant with their third child. However, a dramatic event comes to upset this simple and happy life.

After 20 years abroad, Mark Renton returns to Scotland and reunites with his old friends Sick Boy, Spud and Begbie.

Ricky and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self-employed delivery driver. It's hard work, and his wife's job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point.

At the age of 51 and after 20 months on unemployment, Thierry starts a new job that soon brings him face to face with a moral dilemma. How much is he willing to accept to keep his job?

Young, impulsive Rosetta lives a hard and stressful life as she struggles to support herself and her alcoholic mother. Refusing all charity, she is desperate to maintain a dignified job.

Aurora, a Portuguese migrant, works as an order picker in a warehouse in Edinburgh, Scotland. Caught between the walls of a huge distribution centre and the solitude of her own room, Aurora tries to seize every opportunity to resist the alienation and isolation that threaten her identity.

From the director of Marius et Jeannette, this story of two working-class families is a fable with an optimist streak. A young black man, Francois, is wrongly accused of rape by a racist policeman. The story is told in voiceover by his childhood friend, neighbor, and the mother of his future child, Clementine, who is white. The city is Marseilles as in the previous film, symbolic with its churches, prisons and ruins. Except in this film, director Robert Guediguian also ventures outside, taking the story to Sarajevo; two different cities, one devastated by war, the other by a bad economy and unemployment. A la Place du coeur won a Special Jury Prize at the 1998 San Sebastian Film Festival and was also shown at the 1998 Toronto Film Festival and the 1998 Montreal Film Festival.

Sonia and Arturo live in a house that appears safe but is too large and silent. One night, three armed men violently break into the couple's property. Arturo manages to escape and capture the youngest and most inexperienced of the thieves, deciding to kidnap him and discipline him in the basement of the house. Gradually, the anger dissipates, and strange familial ties emerge that Arturo and Sonia believed were long gone. "Salvajes" is a violent portrayal of a divided society, in an unequal social fabric where the boundaries between victim and perpetrator become blurred.