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While soaring through the infinite cosmos, the herald of Galactus laments about the life that he sacrificed, in order to save a world he can no longer call home.

A surfer, filmed and shown on tv, refilmed on 8mm,and refilmed again on 16mm.Simple loop structure preceded by four minutes of a still frame of the surfer. An image on the borders of apprehension, becoming more and more abstract. The surfer surfs, never surfs anywhere, an image suspended in the light of the projector lamp. A very quiet and undramatic film, not particularly didactic. Sound: the first four minutes consists of a fog-horn, used as the basic tone for a chord played on the organ, the rest of the film uses the sound of breakers with a two second pulse and occasional bursts of musical-like sounds.

The Fantastic Four return to the big screen as a new and all powerful enemy threatens the Earth. The seemingly unstoppable 'Silver Surfer', but all is not what it seems and there are old and new enemies that pose a greater threat than the intrepid superheroes realize.

NASA Deep Space Tracking Facility: Radar is picking something up. An object heading towards earth, L.A., at near light-speed. Impact: 9 seconds. L.A.: A boy, not even 10 years old, is being chased by three older boys. He is holding something small, a 'Terminator' figurine. Dead end! A fence is blocking his way. He is trapped. Standing no chance he hands 'Arnie' over to the gang leader. NASA Deep Space Tracking Facility: Impact! Three... Two... One... ?... Nothing. L.A.: The bullies are leaving the crime scene, now proud owners of an 'Arnie' figurine. But something's happening, something is blocking their way... a man clad in silver, hovering on a surfboard...

When people think of Marvel Comics they often think of Stan Lee, the iconic, friendly, smiling face of Marvel Comics. However, many are unaware that Stan Lee purposely set out to repudiate God's goodness and diminish His power. Lee not only sought to paint God as an inept and uncaring being but, driven by his own infamous ego, sought to exalt himself and his plethora of comic gods and superheroes above God. Did Stan Lee have a dark and nefarious agenda? Did Stan Lee seek to distort God into a bumbling creator unworthy of worship? Did Stan Lee and Marvel Comics portray Satan as the real hero or savior of humanity? Journey with us as we discover more troubling insights in Part 3 of Marvel and DC's War on God series to discover how one of comic's most prolific creative leaders, as well as his well-known associates Jack Kirby and Steve Ditko, continues to indoctrinate and perpetuate Satanic lies to hundreds of millions of young people among his unsuspecting fans.