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Set in a small theater at the end of the silent film era, a former movie star clings to the past by screening only silent films. His son grows up in this world, unaware of the changes beyond its walls, until a discovery unsettles his beliefs.

Meyar Al Roumi returns to his native Damascus, eager to start making films, but he is censored. He draws inspiration from it to paint a portrait of the Syrian filmmakers most affected by censorship.

Cinematographers of the silent film period were the first to figure out how to shoot a moving image. In the early years of cinema, the reputation of such people, both inside the industry and outside it, was curious, paradoxical. On the one hand, as masters of the mysterious mechanisms of cinema, they enjoyed a reputation as wizards. But more often they were perceived as adventurers. However, the first generation of Russian cameramen made many artistic discoveries.

Documentary on the rise and fall of the Danish silent film industry.

This documentary explores the use of orchestras, bands, sound effects artists, piano players & organists during the Silent Film Era (1895-1927).

The “Cinema Mudo” project is the realization of a short film and at the same time helping and integrating residents of a community living in a high-risk area. All children (actors and actresses) who work in the movie are residents in the community Vila Torres, an at-risk area in Curitiba. They were chosen after a theater classes for children held in that community as part as the film project. Most of the residents of this community live from the collection and recycling of garbage in the city of Curitiba. The story shows three children (two boys and a girl), in the mid-thirties, setting up a movie frame projection room. They build a projector with an empty shoe box with two holes with the size of a film frame. Inside the box they put a burnt-out bulb without its filament and filled with water. This bulb is used as a lens. Children had to wait until the bulb burned out. Those electrical bulbs were rare in those days.

Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.

The epic and poetic tale of the early years of Italian cinema, from 1896 to 1930: how peplum was born, how the first stars shone, how many daring filmmakers were able to create an original style amalgamating literature, theater, painting and opera; a tale of splendor and decadence.

The turbulent life and professional career of vaudeville actor and silent screen horror star Lon Chaney (1883-1930), the man of a thousand faces; bearer of many personal misfortunes that even his great success could not mitigate.

The first meeting of a U.S. president and a Mexican president took place when William Howard Taft met Porfirio Díaz on 16 October 1909, in El Paso. The meeting was celebrated in both El Paso and Juárez with parades, elaborate receptions, lavish gifts and large crowds. Shot by the pioneers of Mexican Cinema the brothers Alva. This is a typical example of newsreel material prior to the Mexican revolution. By hemerographical references we know that this footage was presented to the then president of Mexico General Porfirio Díaz in the Castle of Chapultepec, then residence of the president.

The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.

Long treated with indifference by critics and historians, British silent cinema has only recently undergone the reevaluation it has long deserved, revealing it to be far richer than previously acknowledged. This documentary, featuring clips from a remarkable range of films, celebrates the early years of British filmmaking and spans from such pioneers as George Albert Smith and Cecil Hepworth to such later figures as Anthony Asquith, Maurice Elvey and, of course, Alfred Hitchcock.

The seventh film in the popular series starring the Yotamono trio (Mitsui, Abe and Isono). Summer came and the three of them decided to open a store on the beach to get rich...

H. Oboe Rhodes, a "knight of the road," limps into a large city with the idea of appeasing his hunger. His first quest is the welcoming doors of a saloon in which a large free lunch is advertised.

The niece and nephew of an eccentric millionaire try to get a share of the now deceased millionaire's inheritance from his adopted son who delights in squandering it. Considered lost.

The exploits of a policeman who literally has the long arm of the law.

Pompeyo and Rodolfo work in a newspaper, but they dream of becoming film actors, so they go to a casting for an American film that will be shot in Madrid for a few days; but things will not turn out as they expect…

A father sacrifices an animal on the day of Eid al-Adha according to the traditions and customs of the past. According to the old custom, he gives the last bowl of water to the goat, but his son tries to save the goat. The father angrily looks for them. The boy makes the goat run away and puts the rope around his neck instead of the goat. This short film refers to the story of Ismail and Ibrahim in Islam.

A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.

A silent film following a broken father and his misfit baby.

Kesari Lal Singh’s wife leaves him, believing he was flirting with the neighbor—he wasn’t. To make matters worse, a drug parcel is mistakenly delivered to his home, leading to chaos when a dead body turns up. As he tries to dispose of it, another body arrives, plunging him deeper into mayhem.

Lonesome Luke has a movie theater and also works the box office and as an usher. He has to put up with, among other things, an incompetent projectionist who falls asleep all the time. Complications ensue.

A walk through the life and work of the brilliant French filmmaker Georges Méliès (1861-1938), pioneer of special and visual effects.

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Documentary highlighting clips and providing historical context to surviving silent films from Uzbekistan.

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