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Set in a small theater at the end of the silent film era, a former movie star clings to the past by screening only silent films. His son grows up in this world, unaware of the changes beyond its walls, until a discovery unsettles his beliefs.

Meyar Al Roumi returns to his native Damascus, eager to start making films, but he is censored. He draws inspiration from it to paint a portrait of the Syrian filmmakers most affected by censorship.

Documentary on the rise and fall of the Danish silent film industry.

Cinematographers of the silent film period were the first to figure out how to shoot a moving image. In the early years of cinema, the reputation of such people, both inside the industry and outside it, was curious, paradoxical. On the one hand, as masters of the mysterious mechanisms of cinema, they enjoyed a reputation as wizards. But more often they were perceived as adventurers. However, the first generation of Russian cameramen made many artistic discoveries.

A brief overview of the development of Ukrainian cinema, using footage from the USSR State Film Archive and the Central State Archive of Film and Photo Documents of the Ukrainian SSR.

This documentary explores the use of orchestras, bands, sound effects artists, piano players & organists during the Silent Film Era (1895-1927).

The “Cinema Mudo” project is the realization of a short film and at the same time helping and integrating residents of a community living in a high-risk area. All children (actors and actresses) who work in the movie are residents in the community Vila Torres, an at-risk area in Curitiba. They were chosen after a theater classes for children held in that community as part as the film project. Most of the residents of this community live from the collection and recycling of garbage in the city of Curitiba. The story shows three children (two boys and a girl), in the mid-thirties, setting up a movie frame projection room. They build a projector with an empty shoe box with two holes with the size of a film frame. Inside the box they put a burnt-out bulb without its filament and filled with water. This bulb is used as a lens. Children had to wait until the bulb burned out. Those electrical bulbs were rare in those days.

The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.

The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.

A collection of restored prints from the Lumière Brothers.

Kesari Lal Singh’s wife leaves him, believing he was flirting with the neighbor—he wasn’t. To make matters worse, a drug parcel is mistakenly delivered to his home, leading to chaos when a dead body turns up. As he tries to dispose of it, another body arrives, plunging him deeper into mayhem.

Count Moffat becomes infatuated with Nana, a presumptuous stage actress, vulgar, hypocritical and promiscuous, willing to do anything to succeed.

A newly elected village parson is required to marry his predecessor's widow. However, he's already married, and the woman is old enough to be his grandmother.

Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.

The seventh film in the popular series starring the Yotamono trio (Mitsui, Abe and Isono). Summer came and the three of them decided to open a store on the beach to get rich...

The turbulent life and professional career of vaudeville actor and silent screen horror star Lon Chaney (1883-1930), the man of a thousand faces; bearer of many personal misfortunes that even his great success could not mitigate.

An irresponsible young millionaire changes his tune when he falls for the daughter of a downtown minister.

The sequel to Lumière! L'aventure commence (Lumière! The Adventure Begins) reveals another hundred Lumière films, all immaculately restored, and aims above all to explore more deeply the history of the invention and affirmation of cinema in the world. This new feature-length film, following the great success and worldwide release of its predecessor, will confirm to audiences everywhere that the roots of the greatest and most beautiful works in the history of cinema lie in its origins, which are both profoundly French and truly international.

The exploits of a policeman who literally has the long arm of the law.

The night before her eighteenth birthday recital, an overworked and undertalented pianist is abducted by three ghouls.

A spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.

Long treated with indifference by critics and historians, British silent cinema has only recently undergone the reevaluation it has long deserved, revealing it to be far richer than previously acknowledged. This documentary, featuring clips from a remarkable range of films, celebrates the early years of British filmmaking and spans from such pioneers as George Albert Smith and Cecil Hepworth to such later figures as Anthony Asquith, Maurice Elvey and, of course, Alfred Hitchcock.

Racing Romance is a 1927 Action film. According to a brief article in the St. Petersburg, FL Evening Independent newspaper, the film was centered in the world of automobile racing. The article also noted that racing sequences in the film were shot at the "world famous Culver City Race track," which referred to the Culver City Speedway, a popular racing venue that opened in mid-Jun 1924 and was located adjacent to Washington Blvd., close to M-G-M and other movie studios. Apparently it's a lost film.

A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.

Pompeyo and Rodolfo work in a newspaper, but they dream of becoming film actors, so they go to a casting for an American film that will be shot in Madrid for a few days; but things will not turn out as they expect…

A snappy young book agent reforms and becomes a cook for a group of Boy Scouts.

The niece and nephew of an eccentric millionaire try to get a share of the now deceased millionaire's inheritance from his adopted son who delights in squandering it. Considered lost.